Member

Sabine Panossian

Sabine Panossian AAC

mail@sabinepanossian.com

+49 (0)30-25 93 88-0 (Agentur Spielkind)

Website     AGENTUR     CREW-UNITED      Instagram

 

 

Sabine studied Cinematography at the Film University Babelsberg KONRAD WOLF. She works in fiction and documentary and her works won multiple awards e.g. Student Academy Award silver 2016 („Where the Wood Ends“), the Michael-Ballhaus-Prize for best cinematography 2019 (“Off Season”), the Doc Alliance Award 2021 (“The blunder of love”), the Fipresci award 2023 at Filmfest Munich (“Fossil). Sabine was a Berlinale Talent 2022. For the cinematography of "Echo" Sabine received a Grimme Preis nomination in 2025.
She is a member of the austrian association of cinematographers (AAC), the german filmacademy (DFA), the european filmacademy (EFA) and board member of Cinematographinnen - Women* Cinematographers Network.

Languages

German | English | Italian

Special Skills

Analog Film 

Selected Credits

Wake Up | TV series (Ep 1-3,6) | D: Mia Maariel Meyer | P: U5 Filmproduktion | Deutschland | 2025

Astrid Lindgren - Die Menschheit hat den Verstand verloren |hybrid documentary (Feature scenes) | D: Wilfried Hauke | P: IDA Film | Germany | 2024

The Stardust Hotel| TV series (Ep 4-7) | D: Elsa van Damke | P: Letterbox Film | Germany | 2024

2m2 | documentary | R: Volkan Üce | P: 2Pilots | Turkey, Germany | 2024

Every note you play| documentary | D: Mika Kaurismäki | P: 2Pilots | Germany | 2024

30 Tage Lust | TV series (Ep 1, 6-8) | D: Bartosz Grudziecki | P: Trimafilm GmbH | Germany | 2024

Fossil | feature | D: Henning Beckhoff | P: Jost Hering Filme | Germany | 2023

Echo | feature | D: Mareike Wegener | P: Petrolio Film | Germany | 2022

 

Member

Carmen Treichl

Carmen Treichl

office@carmentreichl.com | +43 650 531 53 98

office@spiel-kind.com | +49 (0)30-25 93 88-0 (Agentur Spielkind)

 

Website          AGENCY

 

Since her childhood, Carmen has been attached to the picture – still and specially in motion. She fell in love with cinema and the range of possibilities the cinematic vocabulary offers to communicate emotions. Her aim is to always find an own formalistic ‘dialect’ for each project. For her, cinematography is a mix of framing, light, tempo and timing in motion or stillness in tight relation to the narrated story. After her diploma in graphic design and her master’s degree in Multi Media Art, she moved to Berlin to study cinematography at the German Film and Television Academy Berlin (DFFB). Her movies were shown on several international festivals like Berlinale, South by Southwest, NewDirectors NewFilms. Over the last seventeen years, she has realised more than 70 projects behind the camera. She shot Fiction Films, documentaries, commercials, music videos and image corporate productions all around the globe.

Languages

German | English 

Special Skills

16mm | 35 mm | Color grading

Selected Credits

WELCOME HOME BABY | feature | D: Andreas Prochaska | P: Lotus Film | Austria | 2025

LOVE SUCKS | Ep 1- 4 | tv series | D: Andreas Prochaska | P: Studio Zentral | Germany | 2024

TOD DEN LEBENDEN | tv series | D: Tom Lass | P: Anderthalb Film | Germany | 2023

FAMILY OF CHOICE | Queer documentary series | D: Brenda Akele Jorde, Gabriel B. Arrahnio | P: Film Five | Germany| 2023

POWER OF LOVE | feature | D: Jonas Rothländer | P: Stick Up / Iconoclast | Finnland | 2022

DER DORN | tv series | D: Hüseyn Tabak | P: Constantin TV | Germany | 2022

WHISPERS OF WAR| feature | D: Florian Hoffmann | P: Chromosomfilm | Germany| 2021

Rising

Julia Lemke

Julia Lemke

juliaannlemke@icloud.com

+49 176 29 58 49 84

WEBSITE          INTO THE WILD          Berlinale talents 

Julia Lemke is a cinematographer and documentary filmmaker living in Berlin. She studied camera at the DFFB and graduated in 2016 with the documentary film "Schultersieg". Her films have screened at numerous national and international festivals, such as SHORT TIGER in Cannes, IDFA, South by Southwest and BAFICI. Her films or camera works have won several awards. She participated in the Berlinale Talent Campus in 2013 and was in the mentoring program "Into the Wild". Together with director Anna Koch she forms the directing duo "Badabum".

Languages

german (native) | spanish (fluent) | english (fluent)

 

Special Skills

analog Cinematography 35mm, 16mm

Selected Credits

B-Girls | feature documentary | D: Lisa Wagner | P: Lichtblick Film | Germany | 2022

Daddy got a cowgirl | music video | D: Anna Koch, Julia Lemke | P: Flarefilm | Germany | 2021

Glitter & Dust | feature documentary | D: Anna Koch & Julia Lemke | P: Flare Film | Germany, USA | 2020

Terres des Femmes Rated by Women | commercial | D: Charlotte Rolfes | McCann&Film Deluxe | Germany| 2019   

Kinx – Home 24 | commercial | D: Rodrigo Diaz | P: Fish in Water Films | Germany | 2017

Win by fall| feature documentary | D: Anna Koch | P: Anna Wendt Film, DFFB | Germany | 2016

killsometime.com| short film | 5min | D: Julia Langhof | P: DFFB | Germany | 2015

 

Rising

Joanna Piechotta

Joanna Piechotta

jmpiechotta@gmail.com

+49 163 603 43 14

Website 

Joanna Piechotta was born and raised in Poland. After studying at the University of Fine Arts in Poznań in Poland, she moved in 2008 to Berlin to focus on film. In 2010, she started her studies in cinematography at the Filmuniversity Babelsberg Konrad Wolf where she shot fiction and documentary films. Joanna graduated with a Diploma in Cinematography in 2015. Since then, she works as an independent cinematographer based in Berlin, working internationally both in fiction and documentary film.

Languages

Polish (native) | German (fluent) | English (fluent) | French (intermediate) | Spanish (basic)

Special Skills

Shooting experience on analogue film (16/35mm)

Selected Credits

Fortschritt im Tal der Ahnungslosen | documentary | 80 min | D: Florian Kunert | P: KHM | Germany | 2017

Adam | feature | 70 min | D: Maria Solrun | P: Jim Stark | Maria Solrun | Germany, Mexico | 2017

Trust WHO | documentary | 85 min | D: Lilian Franck | P: OVALmedia Berlin | Golden Girls  Filmproduction Vienna | Germany, Austria | 2016

Narration | short fiction | 45 min | D: Thomas Taube | P: Thomas Taube | Germany | 2016

The Deamon the flow and me | short documentary | 39 min | D: Rocco di Mento | P: Film University Babelsberg | Germany | 2015

J'ai tout donné au soleil sauf mon ombre | short fiction | 20 min | D: Valérie Anex, Christian J. Koch | P: DALVA Films, OVALmedia | Switzerland, Germany | 2015

Member

Jana Marsik

Jana Marsik

mail@marsikova.de

+49 173 2349183

Website          CREW UNITED

Jana Marsik was born in Kiel. After school she took up black & white photography and shot her first short films in Boston, USA. She studied Cinematography at “HFF Konrad Wolf” in Potsdam-Babelsberg. Since then she has worked as a DoP for feature films, commercials and documentaries. In 2002 she won the Junior Prize at the German Camera Awards for “Long Shot“ (D: Klaus Charbonnier) and “Schlorkbabies an der Raststätte (D: Petra Volpe). In 2009 she received the Bavarian Film Award for her camera work for both “Same Same but Different” (D: Detlev Buck)  and “Lippel’s Dream” (R: Lars Büchel), for which she was also nominated at the German Film Awards.

Languages

German | English | Czech | French (basic)

Selected Credits

Bibi und Tina - Einfach anders | feature film | D: Detlev Buck | P: DCM | Germany | 2021

Schubert in love | feature film | D: Lars Büchel | P: Senator Film, Element E | Germany | 2016

Das Ende der Geduld | tv feature | D: Christian Wagner | P: Claussen+Wöbke+Putz Filmproduktion, NDR, BR | Germany | 2014

Three Quarter Moon | feature film | D: Christian Zübert | P: die film GmbH | Germany | 2011

Same Same But Different | feature film (Cambodia) | D: Detlev Buck | P: Boje Buck Filmproduktion | Germany | 2009

Lippels Dream | feature film | D: Lars Büchel | P: Collina Filmproduktion, Element E | Germany | Morocco | 2009

Hands off Mississippi | feature film | D: Detlev Buck | P: Boje Buck Filmproduktion | Germany | 2007

Member

Isabelle Arnold

Isabelle Arnold

isabelle.a.arnold@gmail.com

+49 172 948 18 79  |  +33 612 70 40 68

 

Website          IMDB 

In 2005 I shot my first feature film as a director of photography. This came after studying humanities at the Free University of Berlin and a decade of work as a camera assistant. Now, I work as a camera operator for international productions but also as a lighting camerawoman for documentaries and art house films. I’m based in Berlin and Marseille.

Languages

German | English | French

Special Skills

VFX-Cinematography | Remote Head | Geared Head | Drone

Selected Credits

Berlin Station (Season 2, Episode 1–4) | TV – Series| A-Camera Operator | D: John Cole, Christoph Schrewe | DoP: Hagen Bogdanski | P: Paramount TV | 39. Babelsberg GmbH | USA,Germany | 2017

Morgan’s last loveFeature | 2nd Unit Cinematographer | D: Sandra Nettelbeck | P: Kaminski, Stiehm Produktion | Sydney Kimmel Productions | Germany, France, USA | 2013

Villes á venir| Documentary | DoP | D: Sylvie Michel | P: Twenty Twenty Vision, Goetheinstitut Marseille | France, Germany | 2013

Cloud Atlas | Feature | B-Camera Operator Wachowski Unit | D: Lana&Lilly Wachowski | DoP : John Toll, Frank Griebe | P: X-Filme Creative Pool | USA, Germany | 2012

Speed Racer | Feature | B-Camera Operator 2nd Unit | D: Lana&Lilly Wachowski | DoP : David Tattersall, Harvey Harrison | P: Village Roadshow Pictures, Warner Bros, Sechste Babelsberg Film | USA, Germany | 2008

Un Roman Policier | Feature | 2nd Unit Cinematographer | D: Stéphanie Duvivier| P: MAT Film | France | 2008

Drawn in Blood |  Feature |DoP | D: Péter Palátsik | P: Epix Media, Valerian Film | Germany | 2006

Member

Ines Thomsen

Ines Thomsen

mail@inesthomsen.de

+49 177 266 66 97

Website  

Ines Thomsen, born in the north of Germany in 1975, studied cinematography at the Film University Babelsberg Konrad Wolf (HFF, graduated with diploma) and the film school ESCAC in Barcelona. Since 2002 she works as a cinematographer for documentary and feature films, she also realizes her own documentary films as a director. Various awards as the Fipresci Prix in Cannes, Max Ophüls documentary award, Prix Europa, Best Cinematography - new berlin film award, nominated for German Cinematography Award. Since 2015 she is a member of the German Film Academy. In 2017 she is a fellow of the Young Academy of the Academy of the Arts Berlin.

Languages

German | English | Spanish | French | Catalan | Russian (basics)

 

Selected Credits

Sandmädchen (SANDGIRL) | feature documentary | D: Mark Michel | P: worklights, MDM, Kuratorium JDF | Germany | 2017

Democracy| feature documentary | D: David Bernet | P: INDI FILM, SEPPIA, Atmosfilm, SWR, NDR, arte, FFA, MFG, Filmstiftung NRW, MEDIA | Germany | 2015

Ein Papagei im Eiscafé (PARROT AT THE MILK BAR) | feature documentary | D: Ines Thomsen | P: Filmtank, Polar Star Films, FFHSH, MEDIA, TVC | Germany, Spain | 2014

Die Pfandleiher | feature documentary | D: Stanislaw Mucha | P: TagTraum Filmproduktion, ARD, arte, HR | Germany | 2011

Todos vós sodes Capitáns (YOU ALL ARE CAPTAINS) | feature film | D: Oliver Laxe | P: zeitun films, Cinémathèque de Tanger, Centre Cinématografique Marocain | Spain, Morroco | 2010

Elf Onkel (ELEVEN UNCLES) | feature film | D: Herbert Fritsch | P: Hamlet X Film, ZDFkultur | Germany | 2009

Mañana al mar | feature documentary | D: Ines Thomsen | P: gop03, Polar Star Films, HFF, ZDF, arte, TVC, FFSH | Germany, Spain | 2006

Member

Eva Testor

Eva Testor

eva@evatestor.at

+43 699 14 20 00 11

Website          AGENcy   

Eva Testor, 1967 born in Hall, Tyrol Austria. She studied Camera and technique of the moving image by Prof. Christian Berger at the University of Music and Performing Arts in Vienna – Degree Master of Art. She works since 2000 for TV and Cinema in Documentary, Feature Films, Seriels. She won the Golden Romy for the best cinematography/TV in "Vorstadtweiber" 2016 (Sequel 1, Part 1–5, Director: Sabine Derflinger).

Languages

German | English

Selected Credits

The Fox | Feature| D: Sabine Derflinger | P: Novafilm | Germany | 2017

Universum History upper Austria |Documentary | D: Sabine Derflinger | P: E&A Film | Austria | 2017

Vorstadtweiber | Feature-Seriel | D: Sabine Derflinger | P: MR-Film | Austria | 2014–2016

Maybug Fly | Feature| D: Mirjam Unger | P: KGP Film | Austria | 2015

Member

Eva Maschke

Eva Maschke

dokfilmer@yahoo.de

+49 163 7141648

 

CREW UNITED        LINKEDIN

Worked as a second and first AC until 2002, 2002 - 2007 studied "Cinematography" at the Baden-Württemberg Film Academy, 2007 German Camera Prize for Roaming Around (won), 2010 New Berlin Film Award "Best Camera" for "Frauenzimmer" (won), 2011 Young Artists' Prize IFFF Cologne/Dortmund for "Frauenzimmer" (won). Since 2007, Eva has been working as a filmmaker, DoP and operator for documentaries and feature films, as well as on the studio camera for shows, concerts and live broadcasts. After 15 years of working as a freelancer, she has had a permanent position at SWR in Baden-Baden since May 2022.

Languages

German | English | Spanish (Basic)

 

Special Skills

Analog film 16mm & 35mm | camera crane (operator) | Experience studio camera | live broadcasts

Selected Credits

Tatort - Der Stelzenmann I TV movie I R: Miguel Alexandre | P: SWR | Deutschland | 2024

Die Rüden (WT) | Camera Operator | feature fiction | DoP: Birgit Gudjonsdottir | D: Connie Walther | P: hands-on producers, zeroone film, ARTE, SWR | Germany | 2017

Vier werden Eltern | feature documentary | D: Eva Maschke | P: Maschkefilm, ARTE, RBB | Germany | 2015

Das Kreuz mit der Liebe | feature documentary | D: Saara A. Waasner | P: Royal Pony Film, ZDF Kleines Fernsehspiel | Germany | 2012

Frauenzimmer | feature documentary | D: Saara A. Waasner | P: Royal Pony Film, ZDF Kleines Fernsehspiel | Germany | 2009

24H Berlin (Episode) | feature documentary | D: Brigitte M. Bertele | P: zeroone, ARTE, RBB | Germany | 2008

Roaming Around | feature documentary | D: Brigitte M. Bertele | P:  Filmakademie Baden-Württemberg | Germany | 2007

Member

Katharina Bühler

Katharina Bühler

mail@katharinabuehler.de       office@spiel-kind.com

+49 176 24 00 17 89                   Agency: +49 (0) 30-25 93 88-0

 

Website          REEL          AGENcy

Katharina Bühler gained international recognition with three episodes of the Emmy-winning series The Empress. Her signature: a direct connection to the characters, a tense interplay of light and shadow, and a camera that captures the emotions. Powerful, poetic – always in service of the story. Trained at the Film Academy Baden-Württemberg (Directing and Cinematography), she has been a prominent figure in feature films since 2011, working on cinema, television, and series projects, including for Netflix and Paramount+. Awards and nominations have followed her journey consistently, including the 2026 Best Cinematography Award at the Hollywood International Diversity Film Festival, nominations for the German Camera Award for Plötzlich so still, and in 2024, she was awarded for Blindgänger at the Female Filmmakers Festival, also receiving the DAfFNE for Oh Hell (Season 2).

Languages

German | English | Spanish

 

SPECIAL SKILLS

Gimbal

Selected Credits

THE EMPRESS | Season 3 (6x45, 3 Episoden) | D: Sommerhaus Serien, Netflix | 2025

TWO PEAS IN A POD | Feature Film | D: Elite Zexer | P: Two Teams Productions (Israel), Rommel Film (G), Lava Film (Poland) | 2025

OH HELL STAFFEL | Season 2 | DOP together with Anne Bolick | D: Sarah Blaßkiewitz, good friends Filmproduktion, MagentaTV Original | Germany | 2023

BLINDGÄNGER | Feature Film | D. & Script: Kerstin Polte | P: Tamtam Film (G), Catpics (CH), Golden Girls (AU), SR/arte | 2022

DER SCHEICH | Series | D: Dani Levy und Johannes Naber | P: X-Filme, Paramount | Germany | 2022

FARAWAY | TV-Feature | D: Vanessa Jopp | P: Olga Film, Netflix Original Production | Germany | 2021

PLÖTZLICH SO STILL | TV-Feature | D: Lars-Gunnar Lotz | P: Relevant Film, ZDF | Germany | 2020

TATORT: DAS LEBEN NACH DEM TOD | TV-Feature | D: Florian Baxmeyer, Eikon Media, RBB/ARD | Germany | 2019 

TAGUNDNACHTGLEICHE | Feature Film | D: Lena Knauss, Tamtam Film, SWR/arte | Germany |2018 

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