{"id":535,"date":"2017-11-06T16:53:42","date_gmt":"2017-11-06T16:53:42","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=535"},"modified":"2020-02-04T16:08:55","modified_gmt":"2020-02-04T16:08:55","slug":"katharina-diessner","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/katharina-diessner\/","title":{"rendered":"Katharina Diessner"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_535 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_535 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_535 .lg-push-0{margin-left:3%}#laygrid_post_535 .lg-span-1{width:5.5%}#laygrid_post_535 .lg-push-1:first-child{margin-left:9%}#laygrid_post_535 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_535 .lg-push-1{margin-left:11.5%}#laygrid_post_535 .lg-span-2{width:14%}#laygrid_post_535 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_535 .lg-100vh 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.lg-push-11{margin-left:96.5%}#laygrid_post_535 .lg-span-12{width:99%}#laygrid_post_535 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_535 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_535 .lg-push-12{margin-left:105%}#laygrid_post_535.lg-desktop-grid{padding-top:0px;}#laygrid_post_535.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_535.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_535.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_535.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_535.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_535\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Katharina Diessner<\/h1><p>mail@katharinadiessner.com<\/p><p>+49 176 61758610<br \/><br \/><\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.katharinadiessner.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"http:\/\/www.moonrocketfilms.com\" target=\"_blank\" rel=\"noopener\">POSTPRO<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"http:\/\/english.crew-united.com\/?bio=23146\" target=\"_blank\" rel=\"noopener\">Crew United<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:78%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/KDiessnerPortrait18-1-150x117.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/KDiessnerPortrait18-1.jpg 400w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/KDiessnerPortrait18-1.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>2006 studies of cinematography at the DFFB. Since then she has presented numerous documentaries and short films at festivals. 2016 Prize for Women Directors of Photography \"Arlette\" and nomination for \"De Corpore Mortis\". Since 2012 she has worked for German and int. filmproductions as operator and 2nd unit DoP and realized 2017 for Tivoli \/ Monafilm \"Arthur and Claire\" - her first cinema film as a\u00a0cinematographer, directed by Miguel Alexandre and starring Josef Hader. A passion for great stories, teamwork and many years of experience with VFX- and postproduction helps her to find and implement the best and most effective expressions of the camera work for every project.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluent) | French (basic conversation)<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>Analog film | VFX | Gimbal-System\/Ronin | Color-Grading with DaVinci Studio<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_startseite_nachtlicht_2018-1.jpg\" alt >\n                    <div class=\"pull-left\" ><\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/11\/katharinadiessner_arthur-und-claire_2017.jpg\" alt >\n                    <div class=\"pull-left\" >Arthur und Claire | 2017<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/11\/katharinadiessner_DeCorporeMortis2013.jpg\" alt >\n                    <div class=\"pull-left\" >De Corpore Mortis | 2013<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Nachtlicht - The Girl Of His Choice<\/strong> | feature film | D: Misha Kreuz | P: Nachtlicht Prod. | Germany | 2018-19<\/p><p><strong>Arthur und Claire<\/strong> | feature film | D: Miguel Alexandre | P: Tivolifilm Production | Germany, Netherlands | 2017<\/p><p><strong>Stroker<\/strong> | video installation | D: Pilvi Takala | P: Finnish Arts Council Center | Finland | 2017<\/p><p><strong>Arlette \u2013 Courage is a muscle<\/strong> | documentary | D: Florian Specogna-Hoffmann| P: PS Film | Germany, Switzerland | 2015<\/p><p><strong>In Wahrheit - Mord am Engelgraben<\/strong> | TV series | 2nd Camera | D: Miguel Alexandre | P: Network movie | Germany | 2016<\/p><p><strong>Unfriend<\/strong> | feature film | VFX-Unit DoP | D: Simon Verhoeven | DoP: Jo Heim | P: Wiedemann & Berg | Germany |2014<\/p><p><strong>Northmen\u00a0<\/strong>| feature film | VFX-Unit DoP | D: Claudio Fa\u0308h | DoP: Lorenzo Senatore | P: Elitefilm, Jumping Horse Film | Switzerland, Germany | 2013<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-535 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_DeCorporeMortis2013.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-537\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_DeCorporeMortis2013.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_DeCorporeMortis2013-150x64.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_DeCorporeMortis2013-768x326.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-537'>\n\t\t\t\tDe Corpore Mortis | 2013\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"53\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_arthur-und-claire_2017.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-536\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_arthur-und-claire_2017.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_arthur-und-claire_2017-150x62.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_arthur-und-claire_2017-768x319.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-536'>\n\t\t\t\tArthur und Claire | 2017\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"68\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_startseite_nachtlicht_2018-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_startseite_nachtlicht_2018-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_startseite_nachtlicht_2018-1-150x79.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/katharinadiessner_startseite_nachtlicht_2018-1-768x406.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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