{"id":431,"date":"2017-11-06T11:31:52","date_gmt":"2017-11-06T11:31:52","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=431"},"modified":"2024-09-09T08:22:22","modified_gmt":"2024-09-09T08:22:22","slug":"anne-bolick","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/anne-bolick\/","title":{"rendered":"Anne Bolick"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_431 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_431 .lg-push-0{margin-left:3%}#laygrid_post_431 .lg-span-1{width:5.5%}#laygrid_post_431 .lg-push-1:first-child{margin-left:9%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_431 .lg-push-1{margin-left:11.5%}#laygrid_post_431 .lg-span-2{width:14%}#laygrid_post_431 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_431 .lg-100vh 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.lg-push-7:first-child{margin-left:60%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-7{left:60%}#laygrid_post_431 .lg-push-7{margin-left:62.5%}#laygrid_post_431 .lg-span-8{width:65%}#laygrid_post_431 .lg-push-8:first-child{margin-left:68.5%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-8{left:68.5%}#laygrid_post_431 .lg-push-8{margin-left:71%}#laygrid_post_431 .lg-span-9{width:73.5%}#laygrid_post_431 .lg-push-9:first-child{margin-left:77%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-9{left:77%}#laygrid_post_431 .lg-push-9{margin-left:79.5%}#laygrid_post_431 .lg-span-10{width:82%}#laygrid_post_431 .lg-push-10:first-child{margin-left:85.5%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-10{left:85.5%}#laygrid_post_431 .lg-push-10{margin-left:88%}#laygrid_post_431 .lg-span-11{width:90.5%}#laygrid_post_431 .lg-push-11:first-child{margin-left:94%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_431 .lg-push-11{margin-left:96.5%}#laygrid_post_431 .lg-span-12{width:99%}#laygrid_post_431 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_431 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_431 .lg-push-12{margin-left:105%}#laygrid_post_431.lg-desktop-grid{padding-top:0px;}#laygrid_post_431.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_431.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_431.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_431.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_431.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_431\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Anne Bolick<\/h1><p>dop.bolick@gmail.com<\/p><p>+49 177 683 08 84<br \/><br \/><\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.annebolick.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/vimeo.com\/383058328\" target=\"_blank\" rel=\"noopener\">REEL<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/www.schlag-agentur.de\/index.php\/de\/camera\/profile\/anne_bolick\" target=\"_blank\" rel=\"noopener\">AGENCY<\/a><\/h1><h1 class=\"_Menu\">\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:149.5%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/AnneBolick_\u00a9LOTTERMANNFUENTES_web-1-100x150.jpg 100w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/AnneBolick_\u00a9LOTTERMANNFUENTES_web-1.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/AnneBolick_\u00a9LOTTERMANNFUENTES_web-1.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p align=\"LEFT\"><span style=\"font-weight: 400;\">Anne studied cinematography at the Filmakademie Baden-W\u00fcrttemberg. She had a scholarship at La F\u00e9mis in Paris. During her studies she was nominated for her work at Camerimage. In 2019 Anne wins the award for best cinematography at Achtung Berlin New Film Award for the feature SCHWIMMEN which previously won the Hofer Goldprize. The feature film KOPFPLATZEN\/ HEADBURST (Dir. Savas Ceviz) celebrated its <\/span><span style=\"font-weight: 400;\">theatrical release in 2020. Anne takes part at Berlinale Talents Programm 2019 and is full member of the German Film Academy since Mid 2019. In 2022 she wins Best Cinematography for her work in SWEET DISASTER (Dir. Laura Lehmus), at Romford Film Festival [uk], Golden Door Int'l Film Festival [us] and West Sound Film Festival [us]. <\/span><span style=\"font-weight: 400;\"><br \/><\/span><span style=\"font-weight: 400;\">She lives in Berlin and has the german and iranien citizenship.<\/span><\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluently) | French (very good) | Persian (beginner)<br \/><br \/><\/p><h1 class=\"_Menu\">Special Skills<\/h1><p class=\"_Default\">Film analog | Gimbal<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >TATORT Das Herz der Schlange | 2021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2_Everyoneisf_ckingcrazy_2022_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >EVERYONE IS F*CKING CRAZY | 2022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/3_Kopfplatzen_2018_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >KOPFPLATZEN | 2018<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>OH HELL 2<\/strong> | TV- series, Magenta TV | D: Sarah Bla\u00dfkiewitz | P: Good Friends Filmproduktion | Germany | 2023<\/p><p><strong>Tatort Martyrium<\/strong> | TV- feature | D: Lars Kraume | P: Nordfilm | Germany | 2023<\/p><p><strong>Everyone is f*cking crazy<\/strong> | TV- series | D: Luzie Loose | P: Realfilm Berlin | Germany | 2022<\/p><p><strong>Tatort Das Herz der Schlange<\/strong> | TV- feature | D: Luzie Loose | P: Bavaria Fiction | Germany | 2021<\/p><p><strong>Sweet Disaster<\/strong> | feature | D: Laura Lehmus | P: Zeitgeist Filmproduktion | Germany | 2020<\/p><p><strong>Head Burst<\/strong> | feature | D: Savas Ceviz | P: Kurhaus Production Film | Germany | 2018<\/p><p><strong>Schwimmen<\/strong> | feature | D: Luzie Loose| P: Filmakademie Baden-W\u00fcrttemberg, Kurhaus Production Film | Germany | 2017<\/p><p>\u00a0<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-431 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2_Everyoneisf_ckingcrazy_2022_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2538\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2_Everyoneisf_ckingcrazy_2022_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2_Everyoneisf_ckingcrazy_2022_web-1-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2_Everyoneisf_ckingcrazy_2022_web-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2538'>\n\t\t\t\tEVERYONE IS F*CKING CRAZY | 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/3_Kopfplatzen_2018_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2540\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/3_Kopfplatzen_2018_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/3_Kopfplatzen_2018_web-1-150x64.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/3_Kopfplatzen_2018_web-1-768x326.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2540'>\n\t\t\t\tKOPFPLATZEN | 2018\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2539\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web-1-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web-1-768x321.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2539'>\n\t\t\t\tTATORT Das Herz der Schlange | 2021\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2541,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anne Bolick - CINEMATOGRAPHINNEN Women 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