{"id":369,"date":"2017-11-03T17:50:34","date_gmt":"2017-11-03T17:50:34","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=369"},"modified":"2026-01-30T08:26:55","modified_gmt":"2026-01-30T08:26:55","slug":"sabine-panossian","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/sabine-panossian\/","title":{"rendered":"Sabine Panossian"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_369 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_369 .lg-push-0{margin-left:3%}#laygrid_post_369 .lg-span-1{width:5.5%}#laygrid_post_369 .lg-push-1:first-child{margin-left:9%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_369 .lg-push-1{margin-left:11.5%}#laygrid_post_369 .lg-span-2{width:14%}#laygrid_post_369 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_369 .lg-100vh 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.lg-push-7:first-child{margin-left:60%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-7{left:60%}#laygrid_post_369 .lg-push-7{margin-left:62.5%}#laygrid_post_369 .lg-span-8{width:65%}#laygrid_post_369 .lg-push-8:first-child{margin-left:68.5%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-8{left:68.5%}#laygrid_post_369 .lg-push-8{margin-left:71%}#laygrid_post_369 .lg-span-9{width:73.5%}#laygrid_post_369 .lg-push-9:first-child{margin-left:77%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-9{left:77%}#laygrid_post_369 .lg-push-9{margin-left:79.5%}#laygrid_post_369 .lg-span-10{width:82%}#laygrid_post_369 .lg-push-10:first-child{margin-left:85.5%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-10{left:85.5%}#laygrid_post_369 .lg-push-10{margin-left:88%}#laygrid_post_369 .lg-span-11{width:90.5%}#laygrid_post_369 .lg-push-11:first-child{margin-left:94%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_369 .lg-push-11{margin-left:96.5%}#laygrid_post_369 .lg-span-12{width:99%}#laygrid_post_369 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_369 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_369 .lg-push-12{margin-left:105%}#laygrid_post_369.lg-desktop-grid{padding-top:0px;}#laygrid_post_369.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_369.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_369.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_369.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_369.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_369\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Sabine Panossian <span style=\"font-size: 20px;\">AAC<\/span><\/h1><p>mail@sabinepanossian.com<\/p><p>+49 (0)30-25 93 88-0 (Agentur Spielkind)<br \/><br \/><\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.sabinepanossian.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/spiel-kind.com\/cinematographers\/panossian-sabine\/\" target=\"_blank\" rel=\"noopener\">AGENTUR<\/a>\u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.crew-united.com\/de\/Sabine-Panossian_131753.html\" target=\"_blank\" rel=\"noopener\">CREW-UNITED<\/a>\u00a0 \u00a0 \u00a0 <a href=\"http:\/\/www.instagram.com\/sabine_panossian\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/h1><h1 class=\"_Menu\">\u00a0<\/h1><h1 class=\"_Menu\">\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:66.666666666667%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/SabinePanossian_Copyright_web-2-150x100.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/SabinePanossian_Copyright_web-2.jpg 600w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/SabinePanossian_Copyright_web-2.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Sabine studied Cinematography at the Film University Babelsberg KONRAD WOLF. She works in fiction and documentary and her works won multiple awards e.g. Student Academy Award silver 2016 (\u201eWhere the Wood Ends\u201c), the Michael-Ballhaus-Prize for best cinematography 2019 (\u201cOff Season\u201d), the Doc Alliance Award 2021 (\u201cThe blunder of love\u201d), the Fipresci award 2023 at Filmfest Munich (\u201cFossil). Sabine was a Berlinale Talent 2022. For the cinematography of \"Echo\" Sabine received a Grimme Preis nomination in 2025.<br \/>She is a member of the austrian association of cinematographers (AAC), the german filmacademy (DFA), the european filmacademy (EFA) and board member of Cinematographinnen - Women* Cinematographers Network.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German | English | Italian<br \/><br \/><\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>Analog Film\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/02_Panossian_Echo_2022_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >ECHO | 2022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/17_Still_LUST_S1E1\u00a9TrimafilmSabinePanossian_Web-1.jpg\" alt >\n                    <div class=\"pull-left\" >30 TAGE LUST | 2024<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/04_Panossian_OffSeason_2019_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >OFF SEASON | 2019<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Husk (AT) <\/strong>| tv series | D: Mia Maariel Meyer | P: U5 Filmproduktion | Germany | 2025<\/p><p><strong>Bahnsinn Riedbahn<\/strong> |documentary series | D: Isa Prahl, \u00a0Simon Ostermann, Sven Pohl | P: TBA, Bavaria Entertainment | Germany | 2024<\/p><p><strong>The Stardust Hotel <\/strong>| tv series | D: Elsa van Damke | P: Letterbox Film | Germany | 2024<\/p><p><strong>Every note you play<\/strong> | documentary | D: Mika Kaurism\u00e4ki | P: 2Pilots |Germany | 2024<\/p><p><strong>30 Tage Lust<\/strong> | tv series (Ep 1, 6-8) | D: Bartosz Grudziecki | P: Trimafilm GmbH | Germany | 2024<\/p><p><strong>Fossil<\/strong> | feature | D: Henning Beckhoff | P: Jost Hering Filme | Germany | 2023<\/p><p><strong>Echo<\/strong> | feature | D: Mareike Wegener | P: Petrolio Film | Germany | 2022<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-369 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/17_Still_LUST_S1E1\u00a9TrimafilmSabinePanossian_Web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2733\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/17_Still_LUST_S1E1\u00a9TrimafilmSabinePanossian_Web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/17_Still_LUST_S1E1\u00a9TrimafilmSabinePanossian_Web-1-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/17_Still_LUST_S1E1\u00a9TrimafilmSabinePanossian_Web-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2733'>\n\t\t\t\t30 TAGE LUST | 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"69\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/04_Panossian_OffSeason_2019_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2416\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/04_Panossian_OffSeason_2019_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/04_Panossian_OffSeason_2019_web-1-150x81.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/04_Panossian_OffSeason_2019_web-1-768x415.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2416'>\n\t\t\t\tOFF SEASON | 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"93\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/02_Panossian_Echo_2022_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2414\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/02_Panossian_Echo_2022_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/02_Panossian_Echo_2022_web-1-150x110.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/02_Panossian_Echo_2022_web-1-768x561.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2414'>\n\t\t\t\tECHO | 2022\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2419,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sabine Panossian - CINEMATOGRAPHINNEN Women Cinematographers 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