{"id":318,"date":"2017-10-29T12:46:50","date_gmt":"2017-10-29T12:46:50","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=318"},"modified":"2021-11-10T09:51:16","modified_gmt":"2021-11-10T09:51:16","slug":"jana-marsik","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/jana-marsik\/","title":{"rendered":"Jana Marsik"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_318 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_318 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_318 .lg-push-0{margin-left:3%}#laygrid_post_318 .lg-span-1{width:5.5%}#laygrid_post_318 .lg-push-1:first-child{margin-left:9%}#laygrid_post_318 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_318 .lg-push-1{margin-left:11.5%}#laygrid_post_318 .lg-span-2{width:14%}#laygrid_post_318 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_318 .lg-100vh 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.lg-push-11{margin-left:96.5%}#laygrid_post_318 .lg-span-12{width:99%}#laygrid_post_318 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_318 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_318 .lg-push-12{margin-left:105%}#laygrid_post_318.lg-desktop-grid{padding-top:0px;}#laygrid_post_318.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_318.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_318.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_318.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_318.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_318\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Jana Marsik<\/h1><p>mail@marsikova.de<\/p><p>+49 173 2349183 <br \/><br \/><\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.jana-marsik.de\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"http:\/\/www.crew-united.com\/?bio=75310\">CREW UNITED<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:68.5%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Portrait.JM_.skaliert-150x103.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Portrait.JM_.skaliert.jpg 400w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/10\/Portrait.JM_.skaliert.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Jana Marsik was born in Kiel. After school she took up black & white photography and shot her first short films in Boston, USA. She studied Cinematography at \u201cHFF Konrad Wolf\u201d in Potsdam-Babelsberg. Since then she has worked as a DoP for feature films, commercials and documentaries. In 2002 she won the Junior Prize at the German Camera Awards for \u201cLong Shot\u201c (D: Klaus Charbonnier) and \u201cSchlorkbabies an der Rastst\u00e4tte (D: Petra Volpe).\u00a0In 2009 she received the Bavarian Film Award for her camera work for both \u201cSame Same but Different\u201d (D: Detlev Buck) \u00a0and \u201cLippel\u2019s Dream\u201d (R: Lars B\u00fcchel), for which she was also nominated at the German Film Awards.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p class=\"_Default\">German | English | Czech | French (basic)<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/10\/filmstill.Jana_.Marsik.Das-Ende-der-Geduld-2014.jpg\" alt >\n                    <div class=\"pull-left\" >Das Ende der Geduld | 2014<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/10\/filmstill.JanaMarsik.Schubert-in-Love_2016.jpg\" alt >\n                    <div class=\"pull-left\" >Schubert in Love | 2016<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-1.jpg\" alt >\n                    <div class=\"pull-left\" >Das Ende der Geduld | 2014<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Bibi und Tina - Einfach anders<\/strong> | feature film | D: Detlev Buck | P: DCM | Germany | 2021<\/p><p><strong>Schubert in love<\/strong> | feature film | D: Lars B\u00fcchel | P: Senator Film, Element E | Germany | 2016<\/p><p><strong>Das Ende der Geduld<\/strong> | tv feature | D: Christian Wagner | P: Claussen+W\u00f6bke+Putz Filmproduktion, NDR, BR | Germany | 2014<\/p><p><strong>Three Quarter Moon<\/strong> | feature film | D: Christian Z\u00fcbert | P: die film GmbH | Germany | 2011<\/p><p><strong>Same Same But Different\u00a0<\/strong>| feature film (Cambodia) | D: Detlev Buck | P: Boje Buck Filmproduktion | Germany | 2009<\/p><p><strong>Lippels Dream<\/strong> | feature film | D: Lars B\u00fcchel | P: Collina Filmproduktion, Element E | Germany | Morocco | 2009<\/p><p><strong>Hands off Mississippi<\/strong> | feature film | D: Detlev Buck | P: Boje Buck Filmproduktion | Germany | 2007<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-318 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"73\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.Jana_.Marsik.Das-Ende-der-Geduld-2014.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-321\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.Jana_.Marsik.Das-Ende-der-Geduld-2014.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.Jana_.Marsik.Das-Ende-der-Geduld-2014-150x85.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.Jana_.Marsik.Das-Ende-der-Geduld-2014-768x435.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-321'>\n\t\t\t\tDas Ende der Geduld | 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-323\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-1-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-323'>\n\t\t\t\tDas Ende der Geduld | 2014\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"73\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.JanaMarsik.Schubert-in-Love_2016.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-322\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.JanaMarsik.Schubert-in-Love_2016.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.JanaMarsik.Schubert-in-Love_2016-150x85.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/filmstill.JanaMarsik.Schubert-in-Love_2016-768x436.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-322'>\n\t\t\t\tSchubert in Love | 2016\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":319,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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