{"id":3028,"date":"2026-04-22T09:46:41","date_gmt":"2026-04-22T09:46:41","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=3028"},"modified":"2026-04-24T09:32:03","modified_gmt":"2026-04-24T09:32:03","slug":"lena-krenz","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/lena-krenz\/","title":{"rendered":"Lena Krenz"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_3028 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_3028 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_3028 .lg-push-0{margin-left:3%}#laygrid_post_3028 .lg-span-1{width:5.5%}#laygrid_post_3028 .lg-push-1:first-child{margin-left:9%}#laygrid_post_3028 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_3028 .lg-push-1{margin-left:11.5%}#laygrid_post_3028 .lg-span-2{width:14%}#laygrid_post_3028 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_3028 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_3028 .lg-push-11{margin-left:96.5%}#laygrid_post_3028 .lg-span-12{width:99%}#laygrid_post_3028 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_3028 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_3028 .lg-push-12{margin-left:105%}#laygrid_post_3028.lg-desktop-grid{padding-top:0px;}#laygrid_post_3028.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_3028.lg-desktop-grid .lg-row-0{margin-bottom:2%;}#laygrid_post_3028.lg-desktop-grid .lg-row-1{margin-bottom:2%;}#laygrid_post_3028.lg-desktop-grid .lg-row-2{margin-bottom:2%;}#laygrid_post_3028.lg-desktop-grid .lg-row-3{margin-bottom:2%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_3028\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Lena Krenz<\/h1><p>\u00a0<\/p><p>lena.krenz@googlemail.com<\/p><p>+49 1742421546<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.lenakrenz.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.instagram.com\/lena.krenz\/\" target=\"_blank\" rel=\"noopener\">INSTAGRAM<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:125%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Profil-120x150.jpg 120w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Profil.jpg 400w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Profil.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Lena Krenz studied Cinematography at the Film University Babelsberg. She lives and works in Berlin. In her mostly fictional and documentary projects she loves working with different materials and formats. Several of her projects have been showcased at various international festivals.The short \u201edead period\u201c, shot in the US, was shortlisted for the German Short Film Award 2024. The series \u201eWingspan\u201c (2025) won the High School Student Award at Seriesmania 2025 and the portside fairytale \u201eHow Catfish Hunt\u201c premiered at Max Oph\u00fcls Preis Festival 2026.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluent) | French (good)<br \/><br \/><\/p><h1 class=\"_Menu\">Special skills<\/h1><p>Analog Film, LED Cave, Virtual Production, Stopmotion<\/p><h1 class=\"_Menu\">\u00a0<\/h1><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_3.jpg\" alt >\n                    <div class=\"pull-left\" >R\u00fccken an R\u00fccken | 2026<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_1.jpg\" alt >\n                    <div class=\"pull-left\" >R\u00fccken an R\u00fccken | 2026<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Dead-Period_2024_2.jpg\" alt >\n                    <div class=\"pull-left\" >Dead Period | 2024<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Back to back<\/strong> I medium-length feature I D: Philine Hammon & Patrick Fleischer I P: Filmuniversit\u00e4t Babelsberg I Germany I 2026<\/p><p><strong>Not Not Moving<\/strong> I Documentary I D: Magalie Herter-Courbon I P: HFG I Germany I 2026<\/p><p><strong>How Catfish Hunt<\/strong> I Shortfilm I D: Jo\u00e3o Pedro Prado I P: Caroussel Film I Germany I 2026<\/p><p><strong>Sound of Falling<\/strong> I Feature Film I B-Cam I D: Mascha Schilinski I Studio Zentral I Germany I 2026<\/p><p class=\"p1\"><strong>WINGSPAN<\/strong> I Series pilot I D: Pedro Harres I P: Arkanum Pictures I Germany I 2025<\/p><p><strong>Permission to Fly<\/strong> I Animation I D: A. Alarc\u00f3n Quinche, N. Karimi Nejad, L. Held I P: Filmuni Babelsberg I Germany I 2024 - 2026<\/p><p><strong>Dead Period I Shortfilm<\/strong> I D: Jo\u00e3o Pedro Prado I P: Filmuniversit\u00e4t Babelsberg I United States I 2024<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-3028 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-3033\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_1-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_1-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3033'>\n\t\t\t\tR\u00fccken an R\u00fccken | 2026\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Dead-Period_2024_2.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-3031\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Dead-Period_2024_2.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Dead-Period_2024_2-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Dead-Period_2024_2-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3031'>\n\t\t\t\tDead Period | 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_3.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-3030\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_3.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_3-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2026\/04\/Lena-Krenz_Versteckt-sein_2026_3-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3030'>\n\t\t\t\tR\u00fccken an R\u00fccken | 2026\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":3032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3028","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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