{"id":2888,"date":"2025-10-15T18:44:12","date_gmt":"2025-10-15T18:44:12","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2888"},"modified":"2025-10-15T19:00:28","modified_gmt":"2025-10-15T19:00:28","slug":"fine-gumpert","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/fine-gumpert\/","title":{"rendered":"Fine Gumpert"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2888 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2888 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2888 .lg-push-0{margin-left:3%}#laygrid_post_2888 .lg-span-1{width:5.5%}#laygrid_post_2888 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2888 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2888 .lg-push-1{margin-left:11.5%}#laygrid_post_2888 .lg-span-2{width:14%}#laygrid_post_2888 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2888 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2888 .lg-push-11{margin-left:96.5%}#laygrid_post_2888 .lg-span-12{width:99%}#laygrid_post_2888 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2888 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2888 .lg-push-12{margin-left:105%}#laygrid_post_2888.lg-desktop-grid{padding-top:0px;}#laygrid_post_2888.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2888.lg-desktop-grid .lg-row-0{margin-bottom:2%;}#laygrid_post_2888.lg-desktop-grid .lg-row-1{margin-bottom:2%;}#laygrid_post_2888.lg-desktop-grid .lg-row-2{margin-bottom:2%;}#laygrid_post_2888.lg-desktop-grid .lg-row-3{margin-bottom:2%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2888\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Fine Gumpert<\/h1><p>hallo@finegumpertdop.com\u00a0 \u00a0 \u00a0 \u00a0<\/p><p>+49 160 4515476<\/p><p>\u00a0<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.finegumpertdop.com\" target=\"_blank\" rel=\"noopener\">Website<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:66.75%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Portrait-150x100.jpeg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Portrait.jpeg 400w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Portrait.jpeg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Fine Gumpert grew up in the Austrian Alps. A year abroad in California sparked her passion for visual storytelling. After studying InterMedia at the University of Applied Sciences Vorarlberg, she specialized in cinematography at the ifs internationale filmschule k\u00f6ln.<\/p><p>She works as a cinematographer and lighting technician on film and television productions, including the Tatort episodes Blutkultur and Schmerz (WDR) as well as Stand Up For Art. Her additional credits include Friesland, Marie Brand, How to Sell Drugs Online (Fast), and Hundertdreizehn.<\/p><p>Her short documentary 58 Kilo was directed during her time at the ifs. Her work combines technical precision with a sensitive visual language that centers on human intimacy and vulnerability.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German | English (fluent) | French (basics)\u00a0<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>16mm analog film\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1.jpg\" alt >\n                    <div class=\"pull-left\" >58 KILO | 2025<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_2.jpeg\" alt >\n                    <div class=\"pull-left\" >Our Mirror | 2024<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_3-1.png\" alt >\n                    <div class=\"pull-left\" >genderf***kers | 2025<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Tatort Dortmund \"Blutkultur\" <\/strong>| TV movie | B-Cam Operator | Dir: Richard Huber | Zeitsprung | Germany | 2025<\/p><p><strong>Tatort Dortmund \"Schmerz\"<\/strong>\u00a0| TV movie | B-Cam Operator | Dir: Torsten Fischer | Bavaria Fiction | Germany | 2025<\/p><p><strong>58 KILO<\/strong> | Documentary | Director: Fine Gumpert | ifs | Germany | 2024<\/p><p><strong>Genderf***kers<\/strong> | Medium-Length Feature Film | Director: Majana Urban | ifs | Germany | 2025<\/p><p><strong>Our Mirror - Also Astir<\/strong> | Music Video | D: Fitore Muzaqi | P: Melina von Roenn | Germany | 2024<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2888 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"85\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_2.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2894\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_2.jpeg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_2-150x100.jpeg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_2-768x512.jpeg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2894'>\n\t\t\t\tOur Mirror | 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_3-1.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2893\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_3-1.png 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_3-1-150x84.png 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_3-1-768x432.png 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2893'>\n\t\t\t\tgenderf***kers | 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"85\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2892\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1-150x100.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1-768x512.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2892'>\n\t\t\t\t58 KILO | 2025\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":2891,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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