{"id":2843,"date":"2025-09-09T07:31:40","date_gmt":"2025-09-09T07:31:40","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2843"},"modified":"2025-09-09T07:32:11","modified_gmt":"2025-09-09T07:32:11","slug":"ayse-alacakaptan","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/ayse-alacakaptan\/","title":{"rendered":"Ay\u015fe Alacakaptan"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2843 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2843 .lg-push-0{margin-left:3%}#laygrid_post_2843 .lg-span-1{width:5.5%}#laygrid_post_2843 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2843 .lg-push-1{margin-left:11.5%}#laygrid_post_2843 .lg-span-2{width:14%}#laygrid_post_2843 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-2{left:17.5%}#laygrid_post_2843 .lg-push-2{margin-left:20%}#laygrid_post_2843 .lg-span-3{width:22.5%}#laygrid_post_2843 .lg-push-3:first-child{margin-left:26%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-3{left:26%}#laygrid_post_2843 .lg-push-3{margin-left:28.5%}#laygrid_post_2843 .lg-span-4{width:31%}#laygrid_post_2843 .lg-push-4:first-child{margin-left:34.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-4{left:34.5%}#laygrid_post_2843 .lg-push-4{margin-left:37%}#laygrid_post_2843 .lg-span-5{width:39.5%}#laygrid_post_2843 .lg-push-5:first-child{margin-left:43%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-5{left:43%}#laygrid_post_2843 .lg-push-5{margin-left:45.5%}#laygrid_post_2843 .lg-span-6{width:48%}#laygrid_post_2843 .lg-push-6:first-child{margin-left:51.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-6{left:51.5%}#laygrid_post_2843 .lg-push-6{margin-left:54%}#laygrid_post_2843 .lg-span-7{width:56.5%}#laygrid_post_2843 .lg-push-7:first-child{margin-left:60%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-7{left:60%}#laygrid_post_2843 .lg-push-7{margin-left:62.5%}#laygrid_post_2843 .lg-span-8{width:65%}#laygrid_post_2843 .lg-push-8:first-child{margin-left:68.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-8{left:68.5%}#laygrid_post_2843 .lg-push-8{margin-left:71%}#laygrid_post_2843 .lg-span-9{width:73.5%}#laygrid_post_2843 .lg-push-9:first-child{margin-left:77%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-9{left:77%}#laygrid_post_2843 .lg-push-9{margin-left:79.5%}#laygrid_post_2843 .lg-span-10{width:82%}#laygrid_post_2843 .lg-push-10:first-child{margin-left:85.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-10{left:85.5%}#laygrid_post_2843 .lg-push-10{margin-left:88%}#laygrid_post_2843 .lg-span-11{width:90.5%}#laygrid_post_2843 .lg-push-11:first-child{margin-left:94%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2843 .lg-push-11{margin-left:96.5%}#laygrid_post_2843 .lg-span-12{width:99%}#laygrid_post_2843 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2843 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2843 .lg-push-12{margin-left:105%}#laygrid_post_2843.lg-desktop-grid{padding-top:0px;}#laygrid_post_2843.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2843.lg-desktop-grid .lg-row-0{margin-bottom:2%;}#laygrid_post_2843.lg-desktop-grid .lg-row-1{margin-bottom:2%;}#laygrid_post_2843.lg-desktop-grid .lg-row-2{margin-bottom:2%;}#laygrid_post_2843.lg-desktop-grid .lg-row-3{margin-bottom:2%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2843\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Ay\u015fe Alacakaptan<\/h1><div class=\"page\" title=\"Page 2\"><div class=\"layoutArea\"><div class=\"column\"><p><span style=\"text-indent: 0em; letter-spacing: 0.01em;\">aysenuralacakaptan@gmail.com \u00a0 \u00a0 \u00a0<\/span><\/p><\/div><\/div><\/div><div class=\"page\" title=\"Page 2\"><div class=\"layoutArea\"><div class=\"column\"><p>+ 49 152 55473499<\/p><\/div><\/div><\/div><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"https:\/\/aysealacakaptan.com\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"https:\/\/aysealacakaptan.com\/showreel-2021\/\" target=\"_blank\" rel=\"noopener\">REEL<\/a>\u00a0 \u00a0 \u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:133.33333333333%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/AyseAlacakaptan-e1757403022397-113x150.jpg 113w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/AyseAlacakaptan-e1757403022397.jpg 300w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/AyseAlacakaptan-e1757403022397.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><div class=\"page\" title=\"Page 3\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p>Ay\u015fe Alacakaptan is a cinematographer from Istanbul, currently living in Berlin. Her work moves between fiction and documentary and is characterized by a distinct visual style. After studying film in Istanbul and Vienna, she continued her education at the DFFB in Berlin. She works internationally on 16mm, 35mm, and digital formats. Her documentary \u2018Die M\u00f6llner Briefe\u2019 premiered at the 75th Berlinale and was awarded both the Panorama Audience Award and the Amnesty International Prize. In 2025, she received the Best Cinematography Award at the Istanbul Film Festival for the fiction film \u2018Athlete\u2019.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>Turkish (native) | German (fluent) | English (fluent)\u00a0<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p>35mm | 16mm | Greenscreen | Gimbal | Scuba diving license<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1.jpg\" alt >\n                    <div class=\"pull-left\" >Two Droplets | 2025<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_A-nook-of-one_s-Bliss_2024_2.jpg\" alt >\n                    <div class=\"pull-left\" >A nook of one's Bliss | 2024<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Die-Mollner-Briefe-_2025_3.jpg\" alt >\n                    <div class=\"pull-left\" >The M\u00f6lln Letters | 2025<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>The M\u00f6lln Letters<\/strong> | Documentary Film | D: Martina Priessner | P : Inselfilm | Germany | 2025<\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Athlete<\/strong> | Feature Film | D : Semih G\u00fclen, Mustafa Emin B\u00fcy\u00fckco\u015fkun | P: Vigofilm | Turkey, Germany, Romania | 2025<\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Unity and Justice and Diversity<\/strong> | Documentary Film | D : Philipp Awounou | P: Supa Stories | 2024<\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Then Suddenly Now<\/strong> | Medium Length Film | D : Mo J\u00e4ger, Melissa Isabell J\u00e4ger | P: J\u00e4gerinnen | 2023<\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Audition<\/strong> | Series (6 Episodes) | D : Semih G\u00fclen | P: Vigofilm | 2023<\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Germania<\/strong> |Web Series | D: Negar Ghalamzan | P : Hyperbole & ZDF | 2021-2022 <\/p><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 4\"><div class=\"section\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Rose Empire<\/strong> | Kurzfilm | D: Clara Zoe My-Linh Von Arnim | P: DFFB | Germany | 2018<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2843 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2846\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2846'>\n\t\t\t\tTwo Droplets | 2025\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_A-nook-of-one_s-Bliss_2024_2.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2844\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_A-nook-of-one_s-Bliss_2024_2.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_A-nook-of-one_s-Bliss_2024_2-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_A-nook-of-one_s-Bliss_2024_2-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2844'>\n\t\t\t\tA nook of one&#8217;s Bliss | 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"69\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Die-Mollner-Briefe-_2025_3.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2845\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Die-Mollner-Briefe-_2025_3.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Die-Mollner-Briefe-_2025_3-150x81.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Die-Mollner-Briefe-_2025_3-768x415.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2845'>\n\t\t\t\tThe M\u00f6lln Letters | 2025\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":2847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ay\u015fe Alacakaptan - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/ayse-alacakaptan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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