{"id":283,"date":"2017-10-29T10:55:24","date_gmt":"2017-10-29T10:55:24","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=283"},"modified":"2026-04-01T15:18:10","modified_gmt":"2026-04-01T15:18:10","slug":"katharina-buhler","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/katharina-buhler\/","title":{"rendered":"Katharina B\u00fchler"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_283 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_283 .lg-push-0{margin-left:3%}#laygrid_post_283 .lg-span-1{width:5.5%}#laygrid_post_283 .lg-push-1:first-child{margin-left:9%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_283 .lg-push-1{margin-left:11.5%}#laygrid_post_283 .lg-span-2{width:14%}#laygrid_post_283 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_283 .lg-100vh 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.lg-push-7:first-child{margin-left:60%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-7{left:60%}#laygrid_post_283 .lg-push-7{margin-left:62.5%}#laygrid_post_283 .lg-span-8{width:65%}#laygrid_post_283 .lg-push-8:first-child{margin-left:68.5%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-8{left:68.5%}#laygrid_post_283 .lg-push-8{margin-left:71%}#laygrid_post_283 .lg-span-9{width:73.5%}#laygrid_post_283 .lg-push-9:first-child{margin-left:77%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-9{left:77%}#laygrid_post_283 .lg-push-9{margin-left:79.5%}#laygrid_post_283 .lg-span-10{width:82%}#laygrid_post_283 .lg-push-10:first-child{margin-left:85.5%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-10{left:85.5%}#laygrid_post_283 .lg-push-10{margin-left:88%}#laygrid_post_283 .lg-span-11{width:90.5%}#laygrid_post_283 .lg-push-11:first-child{margin-left:94%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_283 .lg-push-11{margin-left:96.5%}#laygrid_post_283 .lg-span-12{width:99%}#laygrid_post_283 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_283 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_283 .lg-push-12{margin-left:105%}#laygrid_post_283.lg-desktop-grid{padding-top:0px;}#laygrid_post_283.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_283.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_283.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_283.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_283.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_283\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Katharina B\u00fchler<\/h1><p>mail@katharinabuehler.de \u00a0 \u00a0 \u00a0 <a class=\"mailto-link\" href=\"mailto:office@spiel-kind.com\" target=\"_blank\" rel=\"noopener\">office@spiel-kind.com<\/a><\/p><div>+49 176 24 00 17 89 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Agency: +49 (0) 30-25 93 88-0<\/div><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.katharinabuehler.de\/\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<a href=\"https:\/\/vimeo.com\/139223783?KeepThis=true&TB_iframe=true&height=750&width=875\" target=\"_blank\" rel=\"noopener\">REEL<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/spiel-kind.com\/cinematographers\/katharina-buehler\/\" target=\"_blank\" rel=\"noopener\">AGENcy<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:119%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Katharina_web-1-126x150.jpg 126w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Katharina_web-1.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Katharina_web-1.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Katharina B\u00fchler gained international recognition with three episodes of the Emmy-winning series <i>The Empress<\/i>. <i>Her signature: a direct connection to the characters, a tense interplay of light and shadow, and a camera that captures the emotions. Powerful, poetic \u2013 always in service of the story. <\/i>Trained at the Film Academy Baden-W\u00fcrttemberg (Directing and Cinematography), she has been a prominent figure in feature films since 2011, working on cinema, television, and series projects, including for Netflix and Paramount+. Awards and nominations have followed her journey consistently, including the 2026 Best Cinematography Award at the Hollywood International Diversity Film Festival, nominations for the German Camera Award for <i>Pl\u00f6tzlich so still<\/i>, and in 2024, she was awarded for <i>Blindg\u00e4nger<\/i> at the Female Filmmakers Festival, also receiving the DAfFNE for <i>Oh Hell<\/i> (Season 2).<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German | English | Spanish<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">SPECIAL SKILLS<\/h1><p class=\"_Default\">Gimbal<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/1_Blindgaenger_2023_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >Blindg\u00e4nger | 2023<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/2_TagundNachrtgleiche_2018_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >Tagundnachtgleiche | 2018<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/3_2023DerScheich_web-1.jpg\" alt >\n                    <div class=\"pull-left\" >The Seikh | 2023<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>THE EMPRESS<\/strong> | Season 3 (6x45, 3 Episoden) | D: Sommerhaus Serien, Netflix | 2025<\/p><p><strong>TWO PEAS IN A POD<\/strong> | Feature Film | D: Elite Zexer | P: Two Teams Productions (Israel), Rommel Film (G), Lava Film (Poland) | 2025<\/p><p><strong>OH HELL STAFFEL<\/strong> | Season 2 | DOP together with Anne Bolick | D: Sarah Bla\u00dfkiewitz, good friends Filmproduktion, MagentaTV Original | Germany | 2023<\/p><p><strong>BLINDG\u00c4NGER<\/strong> | Feature Film | D. &amp; Script: Kerstin Polte | P: Tamtam Film (G), Catpics (CH), Golden Girls (AU), SR\/arte | 2022<\/p><p><strong>DER SCHEICH<\/strong> | Series | D: Dani Levy und Johannes Naber | P: X-Filme, Paramount | Germany | 2022<\/p><p><strong>FARAWAY<\/strong> | TV-Feature | D: Vanessa Jopp | P: Olga Film, Netflix Original Production | Germany | 2021<\/p><p><strong>PL\u00d6TZLICH SO STILL<\/strong> | TV-Feature | D: Lars-Gunnar Lotz | P: Relevant Film, ZDF | Germany | 2020<\/p><p><strong>TATORT: DAS LEBEN NACH DEM TOD<\/strong> | TV-Feature | D: Florian Baxmeyer, Eikon Media, RBB\/ARD | Germany | 2019\u00a0<\/p><p><strong>TAGUNDNACHTGLEICHE<\/strong> | Feature Film | D: Lena Knauss, Tamtam Film, SWR\/arte | Germany |2018\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-283 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"53\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/3_2023DerScheich_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2481\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/3_2023DerScheich_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/3_2023DerScheich_web-1-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/3_2023DerScheich_web-1-768x320.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2481'>\n\t\t\t\tThe Seikh | 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/1_Blindgaenger_2023_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2479\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/1_Blindgaenger_2023_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/1_Blindgaenger_2023_web-1-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/1_Blindgaenger_2023_web-1-768x323.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2479'>\n\t\t\t\tBlindg\u00e4nger | 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/2_TagundNachrtgleiche_2018_web-1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2480\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/2_TagundNachrtgleiche_2018_web-1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/2_TagundNachrtgleiche_2018_web-1-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/2_TagundNachrtgleiche_2018_web-1-768x323.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2480'>\n\t\t\t\tTagundnachtgleiche | 2018\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":2478,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Katharina B\u00fchler - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/katharina-buhler\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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