{"id":2725,"date":"2025-02-10T20:55:22","date_gmt":"2025-02-10T20:55:22","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2725"},"modified":"2025-04-03T14:22:48","modified_gmt":"2025-04-03T14:22:48","slug":"doro-goetz-2","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/doro-goetz-2\/","title":{"rendered":"Doro G\u00f6tz"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2725 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2725 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2725 .lg-push-0{margin-left:3%}#laygrid_post_2725 .lg-span-1{width:5.5%}#laygrid_post_2725 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2725 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2725 .lg-push-1{margin-left:11.5%}#laygrid_post_2725 .lg-span-2{width:14%}#laygrid_post_2725 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2725 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2725 .lg-push-11{margin-left:96.5%}#laygrid_post_2725 .lg-span-12{width:99%}#laygrid_post_2725 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2725 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2725 .lg-push-12{margin-left:105%}#laygrid_post_2725.lg-desktop-grid{padding-top:0px;}#laygrid_post_2725.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2725.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_2725.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_2725.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_2725.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2725\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">DORO G\u00d6TZ <span style=\"font-size: 20px;\">BVK<\/span><\/h1><p>doro.goetz@gmx.de | Sandra@schuppach.com (Agency)\u00a0<\/p><p>+49 179 91 94 784<\/p><h1 class=\"_Menu\">\u00a0<\/h1><h1 class=\"_Menu\"><a href=\"http:\/\/www.doro-goetz.com\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"http:\/\/www.s-schuppach.com\" target=\"_blank\" rel=\"noopener\">AGENCY<\/a><\/h1><h1 class=\"_Menu\">\u00a0<\/h1><h1 class=\"_Menu\">\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:141.5%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/DoroGoetz_1200px_Web-106x150.jpg 106w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/DoroGoetz_1200px_Web.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/DoroGoetz_1200px_Web.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Doro G\u00f6tz is interested in any interhuman connection, this is the heart of her work, behind the camera and in front of it. This creates the magic she strives for in her pictures. Through her photography she realized she wants to tell multilayered stories in collaboration with others. A question that drives Doro is how things can change. Since then her works covers narrative, documentary and commercial films.2018 she graduated in cinematography from the University for Film and Television Munich. For her work on the critically acclaimed documentary LOST IN FACE, directed by Valentin Riedl, Doro was awarded the International Price for cinematographers at the IFFF COLOGNE. In 2022 her cinematography on the film FL\u00dcGEL AUS BETON, directed by Lea Becker, received a nomination for the prestigious DEUTSCHER KAMERAPREIS 2022. The comedy series ANGEMESSEN ANGRY, directed by Elsa van Damke, premiered 2024 at the FILMFEST MUNICH and won the Price for best series at the TELEVISIONALE 2024. Doro lives in Berlin.<\/p><p>\u00a0<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (Native) I English | Spanish<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>16mm | 35mm film | Steadicam (basic knowledge)<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/3_FluegelAusBeton_2021_DoroGotz_web.jpg\" alt >\n                    <div class=\"pull-left\" >FL\u00dcGEL AUS BETON | 2021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web.jpg\" alt >\n                    <div class=\"pull-left\" >ANGEMESSEN ANGRY | 2024<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/2_LifeWasGoodInLibya_2020_DoroGotz_Web.jpg\" alt >\n                    <div class=\"pull-left\" >LIFE WAS GOOD IN LIBYA | 2020<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>ANGEMESSEN ANGRY |<\/strong> series | D: Elsa van Damke | P: Studio Zentral | Germany | 2024<\/p><p><strong>FL\u00dcGEL AUS BETON |<\/strong> TV-feature | D: Lea Becker | P: Odeon Fiction | Germany | 2021<\/p><p><strong>LIFE WAS GOOD IN LIBYA |<\/strong> short | D: Roman Toulany | P: Sofia Velasquez | Germany | 2021<\/p><p><strong>LOST IN FACE |<\/strong> documentary | D: Valentin Riedl | P: Corso Film | Germany | 2020<\/p><p><strong>BENZIN<\/strong> | feature |D: Oliver Mohr | P: Alibi Film | Germany | 2019<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2725 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2730\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web-150x75.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web-768x384.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2730'>\n\t\t\t\tANGEMESSEN ANGRY | 2024\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/3_FluegelAusBeton_2021_DoroGotz_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2726\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/3_FluegelAusBeton_2021_DoroGotz_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/3_FluegelAusBeton_2021_DoroGotz_web-150x75.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/3_FluegelAusBeton_2021_DoroGotz_web-768x384.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2726'>\n\t\t\t\tFL\u00dcGEL AUS BETON | 2021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"53\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/2_LifeWasGoodInLibya_2020_DoroGotz_Web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2728\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/2_LifeWasGoodInLibya_2020_DoroGotz_Web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/2_LifeWasGoodInLibya_2020_DoroGotz_Web-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/2_LifeWasGoodInLibya_2020_DoroGotz_Web-768x320.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2728'>\n\t\t\t\tLIFE WAS GOOD IN LIBYA | 2020\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10,"featured_media":2729,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Doro G\u00f6tz - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/doro-goetz-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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