{"id":2282,"date":"2022-10-07T08:32:04","date_gmt":"2022-10-07T08:32:04","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2282"},"modified":"2026-02-23T17:11:28","modified_gmt":"2026-02-23T17:11:28","slug":"lisa-drame","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/lisa-drame\/","title":{"rendered":"Lisa Dram\u00e9"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2282 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2282 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2282 .lg-push-0{margin-left:3%}#laygrid_post_2282 .lg-span-1{width:5.5%}#laygrid_post_2282 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2282 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2282 .lg-push-1{margin-left:11.5%}#laygrid_post_2282 .lg-span-2{width:14%}#laygrid_post_2282 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2282 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2282 .lg-push-11{margin-left:96.5%}#laygrid_post_2282 .lg-span-12{width:99%}#laygrid_post_2282 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2282 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2282 .lg-push-12{margin-left:105%}#laygrid_post_2282.lg-desktop-grid{padding-top:0px;}#laygrid_post_2282.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2282.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_2282.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_2282.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_2282.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2282\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">LISA Dram\u00e9<\/h1><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p>contact through website:<\/p><p>\u00a0<\/p><\/div><\/div><\/div><h1 class=\"_Menu\"><a href=\"http:\/\/busstoponthemoon.com\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-4 lg-push-0 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:68.75%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/Lisa-Voelter-150x103.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/Lisa-Voelter.jpg 400w\" sizes=\"(min-width: 701px) 31vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/Lisa-Voelter.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p>Lisa Dram\u00e9 has graduated from Munich Film School in 2019 with a diploma in cinematography. She is freelancing as DOP, editor and director. In 2023 she shot her first featurelength documentary in New York. Her main emphasis are experimental films, music videos and documentary films.<\/p><\/div><\/div><\/div><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluent) | French (fluent)<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p>analog film | Gimbal | Color Grading<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_BenniGericke_Still2_2021_Alternativ.jpg\" alt >\n                    <div class=\"pull-left\" >Benni Gericke |\u00a02021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_2016_HowKirkMetElvisPresley_Still3.jpg\" alt >\n                    <div class=\"pull-left\" >How Kirk met Elvis Presley |\u00a02016<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_SouciduLendemain_2020_Still1.jpg\" alt >\n                    <div class=\"pull-left\" >Souci du Lendemain |\u00a02020<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Art is your comfort zon<\/strong>e | documentary | D: Lisa Voelter | P: Black&Forest Filmproduktion | USA | 2023<\/p><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Camino de Santiago<\/strong> | documentary webseries | D: Lisa Voelter | P: Black&Forest Filmproduktion | Germany | 2021<\/p><div class=\"page\" title=\"Page 1\"><div class=\"layoutArea\"><div class=\"column\"><p><strong>Souci du Lendemain\u00a0<\/strong>| experimental film | D: Lisa Voelter | P: Black&Forest Filmproduktion | Germany | 2020<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2282 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"70\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_BenniGericke_Still2_2021_Alternativ.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2286\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_BenniGericke_Still2_2021_Alternativ.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_BenniGericke_Still2_2021_Alternativ-150x83.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_BenniGericke_Still2_2021_Alternativ-768x422.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2286'>\n\t\t\t\tBenni Gericke |\u00a02021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"59\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_SouciduLendemain_2020_Still1.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2287\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_SouciduLendemain_2020_Still1.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_SouciduLendemain_2020_Still1-150x69.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_SouciduLendemain_2020_Still1-768x353.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2287'>\n\t\t\t\tSouci du Lendemain |\u00a02020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_2016_HowKirkMetElvisPresley_Still3.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2285\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_2016_HowKirkMetElvisPresley_Still3.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_2016_HowKirkMetElvisPresley_Still3-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/LisaVoelter_2016_HowKirkMetElvisPresley_Still3-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2285'>\n\t\t\t\tHow Kirk met Elvis Presley |\u00a02016\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":2288,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lisa Dram\u00e9 - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/lisa-drame\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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