{"id":2153,"date":"2022-04-09T10:42:16","date_gmt":"2022-04-09T10:42:16","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2153"},"modified":"2024-05-17T11:59:11","modified_gmt":"2024-05-17T11:59:11","slug":"meret-mardoerin","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/meret-mardoerin\/","title":{"rendered":"Meret Mad\u00f6rin"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2153 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2153 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2153 .lg-push-0{margin-left:3%}#laygrid_post_2153 .lg-span-1{width:5.5%}#laygrid_post_2153 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2153 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2153 .lg-push-1{margin-left:11.5%}#laygrid_post_2153 .lg-span-2{width:14%}#laygrid_post_2153 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2153 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2153 .lg-push-11{margin-left:96.5%}#laygrid_post_2153 .lg-span-12{width:99%}#laygrid_post_2153 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2153 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2153 .lg-push-12{margin-left:105%}#laygrid_post_2153.lg-desktop-grid{padding-top:0px;}#laygrid_post_2153.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2153.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_2153.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_2153.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_2153.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2153\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">MERET MAD\u00d6RIN <span style=\"font-size: 20px;\">scs<\/span><\/h1><p>mail@meretmadoerin.com \u00a0 \u00a0 \u00a0\u00a0barona@talentrepublicagency.de\u00a0<\/p><p>+49 151 17784676 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 +49 30 314 969 60 (Agency)<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"https:\/\/www.meretmadoerin.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"https:\/\/www.talentrepublicagency.de\/cinematographers\/meret-madoerin\" target=\"_blank\" rel=\"noopener\">AGENcy<\/a> \u00a0 \u00a0 \u00a0\u00a0 \u00a0 <a href=\"https:\/\/www.crew-united.com\/de\/Meret-Madoerin_282179.html#!searchterm=meret%20mad%C3%B6rin\" target=\"_blank\" rel=\"noopener\">CREW UNITED<\/a><\/h1><h1 class=\"_Menu\">\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:150%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/Portrait_Meret_web-100x150.jpg 100w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/Portrait_Meret_web.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/Portrait_Meret_web.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Early on it was clear to Meret Mad\u00f6rin, that both the photographic image and the cinematic moving image, and thus the work behind the camera, would be the common thread of her professional path. Meret Mad\u00f6rin has been working in the film industry since 2009. After completing her Bachelor of Arts (ZHdK, CH) and working as an assistant camera for numerous national and international feature films, series and TV-movies, she completed a Master's degree in Cinematography at the Film University Babelsberg (D) and successfully graduated with an M.F.A. Creating a new world through filmmaking is her passion. Meret Mad\u00f6rin is based in Berlin and Zurich and enjoys working worldwide.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluent) | French (basic)<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/1_Meret_Madoerin_Trading_Happiness_2020.jpg\" alt >\n                    <div class=\"pull-left\" >Trading Happiness |\u00a02020<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/2_Meret_Madoerin_Exile_Never_Ends_2022.jpg\" alt >\n                    <div class=\"pull-left\" >Exile Never Ends | 2022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022.jpg\" alt >\n                    <div class=\"pull-left\" >Geheime Schatten |\u00a02022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong> Puppen & Krieger<\/strong> | feature film | D: Lisa Blatter | P: Lomotion AG | Switzerland | 2024<\/p><p><strong>Exile never ends<\/strong> | <span class=\"Apple-converted-space\">feature documentary | D: Bahar Bektas | P: Pink Shadow Films | Germany | 2023<\/span><\/p><p><span class=\"Apple-converted-space\"><strong>Made in Germany<\/strong> | TV series | D: Anta Helena Recke & Duc Ngo Ngoc | P: Studio Zentral, ARD | Germany | 2023<\/span><\/p><p><strong>There is no end to\u00a0this story <\/strong>\u00a0| short film | D: Cosima Frei | P:\u00a0Filmgerberei | <span class=\"Apple-converted-space\">Germany<\/span>, Switzerland | 2022<\/p><p><span class=\"Apple-converted-space\"><strong>Wir<\/strong> | TV series | D: Duc Ngo Ngoc | P: Studio Zentral, ZDF | Germany | 2022<\/span><\/p><p><strong>Geheime Schatten <\/strong>| TV feature | D: Stefan Westerwelle | P: Studio Zentral | Germany | 2022<strong><br \/><\/strong><\/p><p><strong>Trading Happiness<\/strong> | short film | D: Duc Ngo Ngoc | P: ever rolling film, filmuniversity Babelsberg | Vietnam, <span class=\"Apple-converted-space\">Germany<\/span> | 2019<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2153 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"69\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/1_Meret_Madoerin_Trading_Happiness_2020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2155\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/1_Meret_Madoerin_Trading_Happiness_2020.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/1_Meret_Madoerin_Trading_Happiness_2020-150x81.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/1_Meret_Madoerin_Trading_Happiness_2020-768x415.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2155'>\n\t\t\t\tTrading Happiness |\u00a02020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"54\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/2_Meret_Madoerin_Exile_Never_Ends_2022.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2156\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/2_Meret_Madoerin_Exile_Never_Ends_2022.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/2_Meret_Madoerin_Exile_Never_Ends_2022-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/2_Meret_Madoerin_Exile_Never_Ends_2022-768x321.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2156'>\n\t\t\t\tExile Never Ends | 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2175\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022.jpg 1920w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022-150x75.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022-768x384.jpg 768w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/3_Meret_Madoerin_Geheime_Schatten_2022-1536x768.jpg 1536w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2175'>\n\t\t\t\tGeheime Schatten |\u00a02022\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":2178,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized 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