{"id":2127,"date":"2021-11-02T15:36:55","date_gmt":"2021-11-02T15:36:55","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2127"},"modified":"2021-11-02T15:40:24","modified_gmt":"2021-11-02T15:40:24","slug":"samira-oberberg","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/samira-oberberg\/","title":{"rendered":"Samira Oberberg"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2127 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2127 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2127 .lg-push-0{margin-left:3%}#laygrid_post_2127 .lg-span-1{width:5.5%}#laygrid_post_2127 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2127 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2127 .lg-push-1{margin-left:11.5%}#laygrid_post_2127 .lg-span-2{width:14%}#laygrid_post_2127 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2127 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2127 .lg-push-11{margin-left:96.5%}#laygrid_post_2127 .lg-span-12{width:99%}#laygrid_post_2127 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2127 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2127 .lg-push-12{margin-left:105%}#laygrid_post_2127.lg-desktop-grid{padding-top:0px;}#laygrid_post_2127.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2127.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_2127.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_2127.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_2127.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2127\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">SAMIRA OBERBERG <span style=\"font-size: 20px;\">BVK<\/span><\/h1><p>samiraoberberg@gmail.com<\/p><p>+44 7469075844<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/samiraoberberg.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0 <a href=\"http:\/\/samiraoberberg.com\/showreelx\" target=\"_blank\" rel=\"noopener\">REEL<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:157.5%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/Samira-Oberberg-on-set-of-Scarlet-2019-95x150.jpg 95w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/Samira-Oberberg-on-set-of-Scarlet-2019.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/Samira-Oberberg-on-set-of-Scarlet-2019.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>I have been fascinated by humans and their lives for a long time, and I feel privileged to have been able to help shed light on some of the stories of underrepresented people. After working in a camera rental company in Munich and subsequently becoming a camera assistant, I studied MA Cinematography at the NFTS in England, graduating in 2017. Since then I have lived mainly in London. In addition to feature-length and short films, I also shoot commercials and very much like documentaries. The Micro Short Film Festival 2021 nominated me for my camera work on the short film Stationary.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native) | English (fluent) | Spanish (intermediate)<\/p><p>\u00a0<\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>analog film | 35mm | super 16mm | super 8mm | Hi8<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/1-Summer-Daniel-Balthasar-2021_2.jpg\" alt >\n                    <div class=\"pull-left\" >Summer |\u00a02021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/2-Nachtwache-2020.jpg\" alt >\n                    <div class=\"pull-left\" >Nachwache |\u00a02020<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/3-Peanut-Queer-Possible-2021.jpg\" alt >\n                    <div class=\"pull-left\" >Peanut Queer Possible |\u00a02021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>night watch<\/strong> | feature film | D: Joachim Neef | P: Blue Hour Films | Germany | 2021<\/p><p><strong>May contain traces of Nazis<\/strong> | feature documentary | D: Leo Hiemer | P: Leo Hiemer Filmproduktion | Germany | 2021<\/p><p><span class=\"Apple-converted-space\"><strong>Queer Possible - Peanut<\/strong> | commercial |\u00a0 D: Ksenia Kulakova | P: Female Narratives | England | 2021<\/span><\/p><p><strong>Summer - Daniel Balthasar<\/strong> | music video | D: Lefteris Parasyris | Greece | 2021<\/p><p><strong>Revolutionart<\/strong> | feature film | D: Ksenia Kulakova | P: WMAF | England | 2020<\/p><p><strong>Stationary<\/strong> | short film | D: Louis Chan | P: Fresh Look Films | England | 2019<\/p><p><strong>Wild Horses<\/strong> | short film | D: Rory Stewart | P: NFTS | England | 2017<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2127 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/1-Summer-Daniel-Balthasar-2021_2.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2128\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/1-Summer-Daniel-Balthasar-2021_2.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/1-Summer-Daniel-Balthasar-2021_2-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/1-Summer-Daniel-Balthasar-2021_2-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2128'>\n\t\t\t\tSummer |\u00a02021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/3-Peanut-Queer-Possible-2021.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2130\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/3-Peanut-Queer-Possible-2021.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/3-Peanut-Queer-Possible-2021-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/3-Peanut-Queer-Possible-2021-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2130'>\n\t\t\t\tPeanut Queer Possible |\u00a02021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"55\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/2-Nachtwache-2020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2129\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/2-Nachtwache-2020.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/2-Nachtwache-2020-150x65.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/2-Nachtwache-2020-768x330.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2129'>\n\t\t\t\tNachwache |\u00a02020\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":2070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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