{"id":2074,"date":"2021-06-12T17:51:50","date_gmt":"2021-06-12T17:51:50","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=2074"},"modified":"2021-06-12T17:52:38","modified_gmt":"2021-06-12T17:52:38","slug":"natalie-pusch","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/","title":{"rendered":"Natalie Pusch"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_2074 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_2074 .lg-push-0{margin-left:3%}#laygrid_post_2074 .lg-span-1{width:5.5%}#laygrid_post_2074 .lg-push-1:first-child{margin-left:9%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_2074 .lg-push-1{margin-left:11.5%}#laygrid_post_2074 .lg-span-2{width:14%}#laygrid_post_2074 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-2{left:17.5%}#laygrid_post_2074 .lg-push-2{margin-left:20%}#laygrid_post_2074 .lg-span-3{width:22.5%}#laygrid_post_2074 .lg-push-3:first-child{margin-left:26%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-3{left:26%}#laygrid_post_2074 .lg-push-3{margin-left:28.5%}#laygrid_post_2074 .lg-span-4{width:31%}#laygrid_post_2074 .lg-push-4:first-child{margin-left:34.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-4{left:34.5%}#laygrid_post_2074 .lg-push-4{margin-left:37%}#laygrid_post_2074 .lg-span-5{width:39.5%}#laygrid_post_2074 .lg-push-5:first-child{margin-left:43%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-5{left:43%}#laygrid_post_2074 .lg-push-5{margin-left:45.5%}#laygrid_post_2074 .lg-span-6{width:48%}#laygrid_post_2074 .lg-push-6:first-child{margin-left:51.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-6{left:51.5%}#laygrid_post_2074 .lg-push-6{margin-left:54%}#laygrid_post_2074 .lg-span-7{width:56.5%}#laygrid_post_2074 .lg-push-7:first-child{margin-left:60%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-7{left:60%}#laygrid_post_2074 .lg-push-7{margin-left:62.5%}#laygrid_post_2074 .lg-span-8{width:65%}#laygrid_post_2074 .lg-push-8:first-child{margin-left:68.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-8{left:68.5%}#laygrid_post_2074 .lg-push-8{margin-left:71%}#laygrid_post_2074 .lg-span-9{width:73.5%}#laygrid_post_2074 .lg-push-9:first-child{margin-left:77%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-9{left:77%}#laygrid_post_2074 .lg-push-9{margin-left:79.5%}#laygrid_post_2074 .lg-span-10{width:82%}#laygrid_post_2074 .lg-push-10:first-child{margin-left:85.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-10{left:85.5%}#laygrid_post_2074 .lg-push-10{margin-left:88%}#laygrid_post_2074 .lg-span-11{width:90.5%}#laygrid_post_2074 .lg-push-11:first-child{margin-left:94%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_2074 .lg-push-11{margin-left:96.5%}#laygrid_post_2074 .lg-span-12{width:99%}#laygrid_post_2074 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_2074 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_2074 .lg-push-12{margin-left:105%}#laygrid_post_2074.lg-desktop-grid{padding-top:0px;}#laygrid_post_2074.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_2074.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_2074.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_2074.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_2074.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_2074\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Natalie Pusch<\/h1><p>n.pusch@posteo.de<\/p><p>+49\u00a015733981213<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.nataliepusch.de\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:92.592592592593%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_2_Natalie_Pusch-150x139.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_2_Natalie_Pusch.jpg 432w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_2_Natalie_Pusch.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Natalie Pusch was born in 1990. She studied Cinematography at filmArche in Berlin. Beginning of 2020, Natalie has worked together with director and actor Gandy Shain on the documentary film \u201cDigital Nomads\u201d in Ecuador. On top of that she operated the camera for the ZDF-TV Film \u201cRadiofrauen\u201d, which was directed by Siegmund Thies. On her feature debut Natalie worked with director and producer Frank Lea Malle in Cameroon. \u201cInnocent(e)\u201d went onto festivals 2020, amongst which were the Luxor African Film Festival, Egypt and the Panafrican Film Festival in Cannes.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>German (native)\u00a0| English (fluent) |\u00a0Spanish (basic)\u00a0| French (basic)<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_1_Natalie_Pusch_Innocente_2020.jpg\" alt >\n                    <div class=\"pull-left\" >Innocent(e) | 2019<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_2_Natalie_Pusch_Digitale_Nomadinnen_2020.jpg\" alt >\n                    <div class=\"pull-left\" >Digital Nomads | 2020<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_3_Natalie_Pusch_Innocente_2020.jpg\" alt >\n                    <div class=\"pull-left\" >Innocent(e) | 2019<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Digital Nomads<\/strong> |\u00a0Documentary Film |\u00a0D: Gandhy Shain |\u00a0P: Pororoca Red |\u00a0Germany, Ecuador |\u00a02020<\/p><p><strong>Radiowomen from the rainforest<\/strong> |\u00a0TV Documentary |\u00a0D: Siegmund Thies |\u00a0P: ZDF |\u00a0Germany, Ecuador |\u00a02020<\/p><p><strong>Innocent(e)<\/strong> |\u00a0Feature Film |\u00a0D: Frank Lea Malle |\u00a0P: Inception Arts&amp;com, Canal+ international | France, Cameroun |\u00a02019<\/p><p><strong>Cold Sharks<\/strong> |\u00a0TV Documentary |\u00a0Additional Camera |\u00a0D: Christina Karliszek | Black Coral Film for NDR Naturfilm, Doclights |\u00a0Germany, Norway |\u00a02018<\/p><p><strong>Red Cunt<\/strong> |\u00a0Dokumentary Film |\u00a0Additional Camera | D: Toti Baches |\u00a0P: N\u00e4chster Halt Filmproduktion |\u00a0Germany |\u00a02018<\/p><p><strong>Hands<\/strong> |\u00a0Short Film |\u00a0D: Frank Lea Malle |\u00a0P: Goethe Institut |\u00a0Germany | 2017<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-2074 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"53\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_2_Natalie_Pusch_Digitale_Nomadinnen_2020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2080\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_2_Natalie_Pusch_Digitale_Nomadinnen_2020.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_2_Natalie_Pusch_Digitale_Nomadinnen_2020-150x63.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_2_Natalie_Pusch_Digitale_Nomadinnen_2020-768x320.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2080'>\n\t\t\t\tDigital Nomads | 2020\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_3_Natalie_Pusch_Innocente_2020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2081\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_3_Natalie_Pusch_Innocente_2020.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_3_Natalie_Pusch_Innocente_2020-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_3_Natalie_Pusch_Innocente_2020-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2081'>\n\t\t\t\tInnocent(e) | 2019\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"72\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_1_Natalie_Pusch_Innocente_2020.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2079\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_1_Natalie_Pusch_Innocente_2020.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_1_Natalie_Pusch_Innocente_2020-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/web_1_Natalie_Pusch_Innocente_2020-768x432.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2079'>\n\t\t\t\tInnocent(e) | 2019\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":2083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-2074","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member","category-new-wave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/\" \/>\n<meta property=\"og:site_name\" content=\"CINEMATOGRAPHINNEN Women Cinematographers Network\" \/>\n<meta property=\"article:published_time\" content=\"2021-06-12T17:51:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-12T17:52:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"197\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"miriam\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"miriam\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/\"},\"author\":{\"name\":\"miriam\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#\\\/schema\\\/person\\\/d2f94a613cef20ded1b4f2066b0a3786\"},\"headline\":\"Natalie Pusch\",\"datePublished\":\"2021-06-12T17:51:50+00:00\",\"dateModified\":\"2021-06-12T17:52:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/\"},\"wordCount\":9,\"publisher\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2021\\\/06\\\/Web_S_Natalie_Pusch_Innocente_2020.jpg\",\"articleSection\":[\"Member\",\"Rising\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/\",\"name\":\"Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2021\\\/06\\\/Web_S_Natalie_Pusch_Innocente_2020.jpg\",\"datePublished\":\"2021-06-12T17:51:50+00:00\",\"dateModified\":\"2021-06-12T17:52:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#primaryimage\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2021\\\/06\\\/Web_S_Natalie_Pusch_Innocente_2020.jpg\",\"contentUrl\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2021\\\/06\\\/Web_S_Natalie_Pusch_Innocente_2020.jpg\",\"width\":350,\"height\":197},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/natalie-pusch\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Natalie Pusch\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/\",\"name\":\"CINEMATOGRAPHINNEN Women Cinematographers Network\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#organization\",\"name\":\"CINEMATOGRAPHINNEN Women Cinematographers Network\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2018\\\/06\\\/2018-06-06_Cinnen_Logo-RGB-lang_wei\u00dferHintergrund_klein.png\",\"contentUrl\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/wp-content\\\/uploads\\\/sites\\\/1\\\/2018\\\/06\\\/2018-06-06_Cinnen_Logo-RGB-lang_wei\u00dferHintergrund_klein.png\",\"width\":489,\"height\":85,\"caption\":\"CINEMATOGRAPHINNEN Women Cinematographers Network\"},\"image\":{\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/#\\\/schema\\\/person\\\/d2f94a613cef20ded1b4f2066b0a3786\",\"name\":\"miriam\",\"url\":\"https:\\\/\\\/cinematographinnen.net\\\/en\\\/author\\\/miriam\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/","og_locale":"en_US","og_type":"article","og_title":"Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network","og_url":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/","og_site_name":"CINEMATOGRAPHINNEN Women Cinematographers Network","article_published_time":"2021-06-12T17:51:50+00:00","article_modified_time":"2021-06-12T17:52:38+00:00","og_image":[{"width":350,"height":197,"url":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg","type":"image\/jpeg"}],"author":"miriam","twitter_card":"summary_large_image","twitter_misc":{"Written by":"miriam"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#article","isPartOf":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/"},"author":{"name":"miriam","@id":"https:\/\/cinematographinnen.net\/en\/#\/schema\/person\/d2f94a613cef20ded1b4f2066b0a3786"},"headline":"Natalie Pusch","datePublished":"2021-06-12T17:51:50+00:00","dateModified":"2021-06-12T17:52:38+00:00","mainEntityOfPage":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/"},"wordCount":9,"publisher":{"@id":"https:\/\/cinematographinnen.net\/en\/#organization"},"image":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#primaryimage"},"thumbnailUrl":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg","articleSection":["Member","Rising"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/","url":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/","name":"Natalie Pusch - CINEMATOGRAPHINNEN Women Cinematographers Network","isPartOf":{"@id":"https:\/\/cinematographinnen.net\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#primaryimage"},"image":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#primaryimage"},"thumbnailUrl":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg","datePublished":"2021-06-12T17:51:50+00:00","dateModified":"2021-06-12T17:52:38+00:00","breadcrumb":{"@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cinematographinnen.net\/en\/natalie-pusch\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#primaryimage","url":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg","contentUrl":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg","width":350,"height":197},{"@type":"BreadcrumbList","@id":"https:\/\/cinematographinnen.net\/en\/natalie-pusch\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/cinematographinnen.net\/en\/"},{"@type":"ListItem","position":2,"name":"Natalie Pusch"}]},{"@type":"WebSite","@id":"https:\/\/cinematographinnen.net\/en\/#website","url":"https:\/\/cinematographinnen.net\/en\/","name":"CINEMATOGRAPHINNEN Women Cinematographers Network","description":"","publisher":{"@id":"https:\/\/cinematographinnen.net\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cinematographinnen.net\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/cinematographinnen.net\/en\/#organization","name":"CINEMATOGRAPHINNEN Women Cinematographers Network","url":"https:\/\/cinematographinnen.net\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cinematographinnen.net\/en\/#\/schema\/logo\/image\/","url":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/06\/2018-06-06_Cinnen_Logo-RGB-lang_wei\u00dferHintergrund_klein.png","contentUrl":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/06\/2018-06-06_Cinnen_Logo-RGB-lang_wei\u00dferHintergrund_klein.png","width":489,"height":85,"caption":"CINEMATOGRAPHINNEN Women Cinematographers Network"},"image":{"@id":"https:\/\/cinematographinnen.net\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/cinematographinnen.net\/en\/#\/schema\/person\/d2f94a613cef20ded1b4f2066b0a3786","name":"miriam","url":"https:\/\/cinematographinnen.net\/en\/author\/miriam\/"}]}},"_links":{"self":[{"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/posts\/2074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/comments?post=2074"}],"version-history":[{"count":4,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/posts\/2074\/revisions"}],"predecessor-version":[{"id":2082,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/posts\/2074\/revisions\/2082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/media\/2083"}],"wp:attachment":[{"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/media?parent=2074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/categories?post=2074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinematographinnen.net\/en\/wp-json\/wp\/v2\/tags?post=2074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}