{"id":1510,"date":"2018-02-16T09:26:31","date_gmt":"2018-02-16T09:26:31","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=1510"},"modified":"2024-03-26T15:22:54","modified_gmt":"2024-03-26T15:22:54","slug":"agnesh-pakozdi","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/agnesh-pakozdi\/","title":{"rendered":"Agnesh Pakozdi"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_1510 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_1510 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_1510 .lg-push-0{margin-left:3%}#laygrid_post_1510 .lg-span-1{width:5.5%}#laygrid_post_1510 .lg-push-1:first-child{margin-left:9%}#laygrid_post_1510 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_1510 .lg-push-1{margin-left:11.5%}#laygrid_post_1510 .lg-span-2{width:14%}#laygrid_post_1510 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_1510 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_1510 .lg-push-11{margin-left:96.5%}#laygrid_post_1510 .lg-span-12{width:99%}#laygrid_post_1510 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_1510 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_1510 .lg-push-12{margin-left:105%}#laygrid_post_1510.lg-desktop-grid{padding-top:0px;}#laygrid_post_1510.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_1510.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_1510.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_1510.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_1510.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_1510\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Agnesh Pakozdi<\/h1><p>info@agneshpakozdi.com<\/p><p>+49 15128083479<br \/><br \/><\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.agneshpakozdi.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0\u00a0<\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:138.88888888889%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_web-108x150.jpg 108w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_web.jpg 288w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_web.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Agnesh, previously an economist, studied film theory in Budapest and video art at the University of Arts Berlin (UdK) before she specialized in cinematography at the German Film- and Television Academy Berlin (DFFB). In 2015 Agnesh won a grant for the Expanded Cinematography Masterclass at the Global Cinematography Institute in LA, led by Vilmos Zsigmond and Yuri Neyman. Her passion is to work on socially relevant topics, to be creative with a sense of humour along the innovative research in finding the right aesthetics for the content. She pursued promising ideas in several different countries, such as Germany, Georgia, Hungary, USA, Croatia, Switzerland, Egypt, Russia, Greece, China and Kyrgyzstan. Her works have been awarded and shown on prestigious Festivals including: Directors Fortnight in Cannes (2023), Sarajevo Best Feature (2023), Prix de Soleure, Solothurn, Best Feature (2022), Locarno (2021), Max-Ophu\u0308ls-Preis Main Award (2019), Best Cinematography at the 62. Seminci Filmfestival in Valladolid (2017), Michael-Ballhaus-Cinematography Award Nomination (2019), German Film Critic Award (2014). Since the beginning she has been a member of the Cinematographinnen Network in Germany. She is based in Berlin but she is home as well in Budapest.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>Hungarian (native) | English (fluent) | German (fluent) | Russian (basic) | French (basic)<br \/><br \/><\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>color grading<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Das-Melancholische-Madchen_2019_NR3_web.jpg\" alt >\n                    <div class=\"pull-left\" >DAS MELANCHOLISCHE M\u00c4DCHEN | 2019<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web.jpg\" alt >\n                    <div class=\"pull-left\" >BLACKBIRD BLACKBIRD BLACKBERRY | 2023<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Wet-Sand_2021_NR2_web.jpg\" alt >\n                    <div class=\"pull-left\" >WET SAND | 2021<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Blackbird Blackbird Blackberry<\/strong> | feature | D: Elene Naveriani | P: Alvafilm, Takesfilm | Switzerland, Georgia | 2023<\/p><p><strong>Pitch Perfect \/ Bumper in Berlin (Ep 103, 104) <\/strong>| TV series |D: Richie Keen | P: Peacock, Brownstone Prod, Gold Circle Films, Universal Tel. | USA, Germany | 2022<\/p><p><strong>Wet Sand <\/strong>| feature| D: Elene Naveriani | P: Maximage, Takesfilm, SRF, SRG SSR | Switzerland, Georgia | 2021<\/p><p><strong>Das Melancholische M\u00e4dchen<\/strong> | feature | D: Susanne Heinrich | P: dffb, Susanne Heinrich | Germany | 2019<strong> <br \/><\/strong><\/p><p><strong>Koka the Butcher<\/strong> | documentary | D: Bence M\u00e1t\u00e9 | P: Film Five, Witness. | Germany, Egypt | 2018<\/p><p><strong>Infinity Pool<\/strong> | feature | B-Cam und 2nd Unit Cam Operator | D: Brandon Cronenberg | P: Film Forge, Hero Squared, 4 Film<br \/>Canada, France, Hungary | 2023<\/p><p><strong>I Am Truly A Drop Of Sun On Earth<\/strong> | feature | D: Elene Naveriani | P: Alvafilm, Mishkinfilm | Switzerland, Georgia | 2017<\/p><p>\u00a0<\/p><p>\u00a0<\/p><p>\u00a0<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-1510 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"67\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Wet-Sand_2021_NR2_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2564\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Wet-Sand_2021_NR2_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Wet-Sand_2021_NR2_web-150x79.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Wet-Sand_2021_NR2_web-768x405.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2564'>\n\t\t\t\tWET SAND | 2021\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"69\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2567\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web-150x81.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web-768x415.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2567'>\n\t\t\t\tBLACKBIRD BLACKBIRD BLACKBERRY | 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"96\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Das-Melancholische-Madchen_2019_NR3_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2565\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Das-Melancholische-Madchen_2019_NR3_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Das-Melancholische-Madchen_2019_NR3_web-150x113.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Das-Melancholische-Madchen_2019_NR3_web-768x576.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2565'>\n\t\t\t\tDAS MELANCHOLISCHE M\u00c4DCHEN | 2019\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":2566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Agnesh Pakozdi - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinematographinnen.net\/en\/agnesh-pakozdi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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