{"id":1484,"date":"2018-02-15T23:28:22","date_gmt":"2018-02-15T23:28:22","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?p=1484"},"modified":"2025-02-27T10:12:06","modified_gmt":"2025-02-27T10:12:06","slug":"petra-korner","status":"publish","type":"post","link":"https:\/\/cinematographinnen.net\/en\/petra-korner\/","title":{"rendered":"Petra Korner"},"content":{"rendered":"<style class=\"lg-grid-css\">@media (min-width: 701px){#laygrid_post_1484 .lg-push-0:first-child{margin-left:0.5%}#laygrid_post_1484 .lg-100vh .lg-col.lg-type-text.lg-push-0{left:0.5%}#laygrid_post_1484 .lg-push-0{margin-left:3%}#laygrid_post_1484 .lg-span-1{width:5.5%}#laygrid_post_1484 .lg-push-1:first-child{margin-left:9%}#laygrid_post_1484 .lg-100vh .lg-col.lg-type-text.lg-push-1{left:9%}#laygrid_post_1484 .lg-push-1{margin-left:11.5%}#laygrid_post_1484 .lg-span-2{width:14%}#laygrid_post_1484 .lg-push-2:first-child{margin-left:17.5%}#laygrid_post_1484 .lg-100vh 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.lg-col.lg-type-text.lg-push-11{left:94%}#laygrid_post_1484 .lg-push-11{margin-left:96.5%}#laygrid_post_1484 .lg-span-12{width:99%}#laygrid_post_1484 .lg-push-12:first-child{margin-left:102.5%}#laygrid_post_1484 .lg-100vh .lg-col.lg-type-text.lg-push-12{left:102.5%}#laygrid_post_1484 .lg-push-12{margin-left:105%}#laygrid_post_1484.lg-desktop-grid{padding-top:0px;}#laygrid_post_1484.lg-desktop-grid{padding-bottom:5%;}#laygrid_post_1484.lg-desktop-grid .lg-row-0{margin-bottom:3%;}#laygrid_post_1484.lg-desktop-grid .lg-row-1{margin-bottom:3%;}#laygrid_post_1484.lg-desktop-grid .lg-row-2{margin-bottom:3%;}#laygrid_post_1484.lg-desktop-grid .lg-row-3{margin-bottom:3%;}}<\/style><div class=\"lg-grid lg-desktop-grid\"  id=\"laygrid_post_1484\"><div class=\"lg-row lg-row-0 lg-contains-text lg-contains-img\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-8 lg-push-0 lg-align-middle lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_names\">Petra Korner\u00a0<span style=\"font-size: 20px;\">AAC<\/span><\/h1><p>petra.korner@gmx.net | +43 660 4203200<\/p><p>craig.mizrahi@iala.com | +1 310 656 5157 (Agency USA)<\/p><p>\u00a0<\/p><h1 class=\"_Menu\"><a href=\"http:\/\/www.petrakorner.com\" target=\"_blank\" rel=\"noopener\">Website<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.imdb.com\/name\/nm1134158\/?ref_=fn_al_nm_1\" target=\"_blank\" rel=\"noopener\">CREW UNITED<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <a href=\"http:\/\/www.illuminatrixdops.com\/member\/petra-korner\/\" target=\"_blank\" rel=\"noopener\">illuminatrix<\/a><\/h1><\/div><\/div><div  class=\"lg-col lg-span-3 lg-push-1 lg-align-bottom lg-type-img \" ><div class=\"lg-placeholder\" style=\"padding-bottom:150%;\">\n\t\t\t\t\t\t<img decoding=\"async\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/headshot-Petra-Korner_800x1200px_Web-100x150.jpg 100w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/headshot-Petra-Korner_800x1200px_Web.jpg 400w\" sizes=\"(min-width: 701px) 22.5vw, 100vw\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/headshot-Petra-Korner_800x1200px_Web.jpg\" alt=\"\">\n\t\t\t\t\t<\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-1 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-2 lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><p>Petra is an award-winning feature film and commercial cinematographer, based in the US as well as in Europe. After graduating from NYU\u2019s Tisch School of the Arts, she received her MFA in Cinematography from the prestigious American Film Institute (AFI) in Los Angeles. Since then, Petra has shot a vast array of high-end TV shows and commercials, as well as numerous American and international feature films: both, for major studios and independent. Petra is a member of the International Cinematographers Guild (ICG) \u2013 Hollywood, BAFTA (UK) and the Austrian Association of Cinematographers (AAC). She is represented by Innovative Artists agency in Los Angeles and holds an EU passport in addition to a US work visa.<\/p><\/div><\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Languages<\/h1><p>Bilingual in English and German | fluent in French and Spanish <br \/><br \/><\/p><h1 class=\"_Menu\">Special Skills<\/h1><p>Analog film | VP Volume | Large Format | VFX- and action-heavy films | high-end commercials (car, beauty,<br \/>telecom etc)<\/p><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-3 lg-contains-hr lg-one-col-row\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-12 lg-push-0 lg-align-bottom lg-type-hr \" ><div class=\"lay-hr\"><\/div><\/div><\/div><\/div><\/div><div class=\"lg-row lg-row-4 lg-contains-shortcode lg-contains-text\"  ><div class=\"lg-row-inner\"><div class=\"lg-column-wrap\"><div  class=\"lg-col lg-span-7 lg-push-0 lg-align-top lg-type-shortcode \" ><div class=\"owl-carousel\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/03_Petra-Korner_His-Dark-Materials-2022_web.jpg\" alt >\n                    <div class=\"pull-left\" >His dark materials | 2022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web.jpg\" alt >\n                    <div class=\"pull-left\" >His dark materials | 2022<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/02_Petra-Korner_-Shadow-and-Bone_2023_web.jpg\" alt >\n                    <div class=\"pull-left\" >Shadow and bone | 2023<\/div>\n                    <div id=\"pagination\" class=\"pull-right\"><span class=\"slide_number\">1<\/span> \/ <span class=\"slide_total\"><\/span><\/div>\n                    <\/div><\/div>\n\n    <script language=\"javascript\">\n\n        jQuery(\".owl-carousel\").on(\"initialized.owl.carousel\", function (e) {\n                jQuery(\".slide_total\").text( e.item.count);\n        });\n\n        jQuery(document).ready(function(){\n            var owl = jQuery(\".owl-carousel\").owlCarousel({\n                        loop:true,\n                        items:1,\n                        autoplay:true,\n                        autoplayTimeout:4500,\n                        startPosition: 1\n            });\n\n            owl.on(\"change.owl.carousel\", function (e) {\n                jQuery(\".slide_number\").text(e.page.index+1);\n            });\n\n        });\n    <\/script>\n    <\/div><div  class=\"lg-col lg-span-5 lg-push-0 lg-align-top lg-type-text \" ><div class=\"lg-textformat-parent\"><h1 class=\"_Menu\">Selected Credits<\/h1><p><strong>Shadow and Bone <\/strong>| TV show | Dir: Bola Ogun, Karen Gaviola | P: Netflix\/ 21 Laps | USA | 2023<\/p><p><strong>His Dark Materials <\/strong>| TV show | Dir: Charles Martin | P: HBO, BBC | USA\/UK | 2022<\/p><p><strong>The Letter for the King <\/strong>| TV show | Dir: Felix Thompson, Alex Holmes, Charles Martin | P: Netflix | UK | 2020<\/p><p><strong>The Road Dance <\/strong>| feature | Dir: Richie Adams | P: Sheridan Road | USA\/UK | 2020<\/p><p><strong>An Acceptable Loss <\/strong>| feature | Dir: Joe Chappelle | P: Corrado Mooncoin | USA | 2017<\/p><p><strong>Umrika | feature <\/strong>| Dir: Prashant Nair | P: Samosa Entertainment | India | 2016<\/p><p><strong>My Soul to Take <\/strong>| feature | Dir: Wes Craven | P: Universal | USA | 2010<\/p><\/div><\/div><\/div><\/div><\/div><\/div>\n<div id='gallery-1' class='gallery galleryid-1484 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/02_Petra-Korner_-Shadow-and-Bone_2023_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2678\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/02_Petra-Korner_-Shadow-and-Bone_2023_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/02_Petra-Korner_-Shadow-and-Bone_2023_web-150x75.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/02_Petra-Korner_-Shadow-and-Bone_2023_web-768x386.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2678'>\n\t\t\t\tShadow and bone | 2023\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/03_Petra-Korner_His-Dark-Materials-2022_web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2679\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/03_Petra-Korner_His-Dark-Materials-2022_web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/03_Petra-Korner_His-Dark-Materials-2022_web-150x75.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/03_Petra-Korner_His-Dark-Materials-2022_web-768x385.jpg 768w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2679'>\n\t\t\t\tHis dark materials | 2022\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"62\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-2680\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web.jpg 1000w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web-150x73.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web-768x372.jpg 768w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web-730x350.jpg 730w\" sizes=\"auto, (max-width: 128px) 100vw, 128px\" \/>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2680'>\n\t\t\t\tHis dark materials | 2022\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":2676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"page-templates\/full-width.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-member"],"acf":[],"yoast_head":"<!-- This site is optimized with 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