{"id":1831,"date":"2020-02-20T11:43:03","date_gmt":"2020-02-20T11:43:03","guid":{"rendered":"https:\/\/cinematographinnen.net\/en\/?page_id=1831"},"modified":"2020-03-12T11:06:50","modified_gmt":"2020-03-12T11:06:50","slug":"search","status":"publish","type":"page","link":"https:\/\/cinematographinnen.net\/en\/search\/","title":{"rendered":"Search"},"content":{"rendered":"<p><form data-sf-form-id='1830' data-is-rtl='0' data-maintain-state='' data-results-url='https:\/\/cinematographinnen.net\/en\/search\/' data-ajax-form-url='https:\/\/cinematographinnen.net\/en\/?sfid=1830&amp;sf_action=get_data&amp;sf_data=form' data-display-result-method='shortcode' data-use-history-api='1' data-template-loaded='0' data-lang-code='en' data-ajax='0' data-init-paged='1' data-auto-update='1' data-auto-count='1' data-auto-count-refresh-mode='1' action='https:\/\/cinematographinnen.net\/en\/search\/' method='post' class='searchandfilter' id='search-filter-form-1830' autocomplete='off' data-instance-count='1'><ul><li class=\"sf-field-search\" data-sf-field-name=\"search\" data-sf-field-type=\"search\" data-sf-field-input-type=\"\">\t\t<label>\n\t\t\t\t   <input placeholder=\"Name\" name=\"_sf_search[]\" class=\"sf-input-text\" type=\"text\" value=\"\" title=\"\"><\/label>\t\t<\/li><li class=\"sf-field-post-meta-land\" data-sf-field-name=\"_sfm_land\" data-sf-field-type=\"post_meta\" data-sf-field-input-type=\"select\" data-sf-meta-type=\"choice\">\t\t<label>\n\t\t\t\t   \t\t<select name=\"_sfm_land[]\" class=\"sf-input-select\" title=\"\">\n\t\t\t\t\t\t  \t\t\t<option class=\"sf-level-0 sf-item-0 sf-option-active\" selected=\"selected\" data-sf-depth=\"0\" value=\"\">Country<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"132\" data-sf-depth=\"0\" value=\"D\">Germany&nbsp;&nbsp;(132)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"22\" data-sf-depth=\"0\" value=\"A\">Austria&nbsp;&nbsp;(22)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"5\" data-sf-depth=\"0\" value=\"CH\">Switzerland&nbsp;&nbsp;(5)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<\/select><\/label>\t\t\t\t\t\t\t\t\t\t<\/li><li class=\"sf-field-post-meta-stadt\" data-sf-field-name=\"_sfm_stadt\" data-sf-field-type=\"post_meta\" data-sf-field-input-type=\"select\" data-sf-meta-type=\"choice\">\t\t<label>\n\t\t\t\t   \t\t<select name=\"_sfm_stadt[]\" class=\"sf-input-select\" title=\"\">\n\t\t\t\t\t\t  \t\t\t<option class=\"sf-level-0 sf-item-0 sf-option-active\" selected=\"selected\" data-sf-depth=\"0\" value=\"\">City<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Basel\">Basel&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"93\" data-sf-depth=\"0\" value=\"Berlin\">Berlin&nbsp;&nbsp;(93)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"16\" data-sf-depth=\"0\" value=\"Cologne\">Cologne&nbsp;&nbsp;(16)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"D\u00fcsseldorf\">D\u00fcsseldorf&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Frankfurt\">Frankfurt&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Freiburg\">Freiburg&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"9\" data-sf-depth=\"0\" value=\"Hamburg\">Hamburg&nbsp;&nbsp;(9)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Kopenhagen\">Kopenhagen&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Landshut\">Landshut&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Leipzig\">Leipzig&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"13\" data-sf-depth=\"0\" value=\"Munich\">Munich&nbsp;&nbsp;(13)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Oldenburg\">Oldenburg&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Prag\">Prag&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Salzburg\">Salzburg&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Stuttgart\">Stuttgart&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"22\" data-sf-depth=\"0\" value=\"Vienna\">Vienna&nbsp;&nbsp;(22)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Wiesbaden\">Wiesbaden&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"4\" data-sf-depth=\"0\" value=\"Zurich\">Zurich&nbsp;&nbsp;(4)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<\/select><\/label>\t\t\t\t\t\t\t\t\t\t<\/li><li class=\"sf-field-post-meta-sprache\" data-sf-field-name=\"_sfm_sprache\" data-sf-field-type=\"post_meta\" data-sf-field-input-type=\"select\" data-sf-meta-type=\"choice\">\t\t<label>\n\t\t\t\t   \t\t<select name=\"_sfm_sprache[]\" class=\"sf-input-select\" title=\"\">\n\t\t\t\t\t\t  \t\t\t<option class=\"sf-level-0 sf-item-0 sf-option-active\" selected=\"selected\" data-sf-depth=\"0\" value=\"\">Language<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Arabic\">Arabic&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Catalan\">Catalan&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Czech\">Czech&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Danish\">Danish&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Dari\">Dari&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"6\" data-sf-depth=\"0\" value=\"Dutch\">Dutch&nbsp;&nbsp;(6)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"150\" data-sf-depth=\"0\" value=\"English\">English&nbsp;&nbsp;(150)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Farsi\">Farsi&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Finnish\">Finnish&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"75\" data-sf-depth=\"0\" value=\"French\">French&nbsp;&nbsp;(75)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"149\" data-sf-depth=\"0\" value=\"German\">German&nbsp;&nbsp;(149)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Greek\">Greek&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Hebrew\">Hebrew&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Hungarian\">Hungarian&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Icelandic\">Icelandic&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"14\" data-sf-depth=\"0\" value=\"Italian\">Italian&nbsp;&nbsp;(14)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Japanese\">Japanese&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Norwegian\">Norwegian&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"1\" data-sf-depth=\"0\" value=\"Persian\">Persian&nbsp;&nbsp;(1)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"6\" data-sf-depth=\"0\" value=\"Polish\">Polish&nbsp;&nbsp;(6)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Portuguese\">Portuguese&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"2\" data-sf-depth=\"0\" value=\"Romanian\">Romanian&nbsp;&nbsp;(2)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"8\" data-sf-depth=\"0\" value=\"Russian\">Russian&nbsp;&nbsp;(8)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Slovenian\">Slovenian&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"44\" data-sf-depth=\"0\" value=\"Spanish\">Spanish&nbsp;&nbsp;(44)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"6\" data-sf-depth=\"0\" value=\"Swedish\">Swedish&nbsp;&nbsp;(6)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<option class=\"sf-level-0 \" data-sf-count=\"3\" data-sf-depth=\"0\" value=\"Turkish\">Turkish&nbsp;&nbsp;(3)<\/option>\n\t\t\t\t\t\t\t\t\t\t\t<\/select><\/label>\t\t\t\t\t\t\t\t\t\t<\/li><li class=\"sf-field-submit\" data-sf-field-name=\"submit\" data-sf-field-type=\"submit\" data-sf-field-input-type=\"\"><input type=\"submit\" name=\"_sf_submit\" value=\"Search\"><\/li><li class=\"sf-field-reset\" data-sf-field-name=\"reset\" data-sf-field-type=\"reset\" data-sf-field-input-type=\"button\"><input type=\"submit\" class=\"search-filter-reset\" name=\"_sf_reset\" value=\"Reset\" data-search-form-id=\"1830\" data-sf-submit-form=\"always\"><\/li><\/ul><\/form><br \/>\n<div class=\"search-filter-results\" id=\"search-filter-results-1830\"> <div class=\"search-filter-intro-results\">\n \t<div class=\"search_results_intro\">151 results (all)<\/div>\n \t<a class=\"member-kind\" href=\"#member-rubric\">DOPs (94)<\/a>\n \t<a class=\"member-kind\" href=\"#rising-rubric\"> RISING DOPs (57)<\/a>\n <\/div>\n <br \/>\n\n  \t<div id=\"member-rubric\" class=\"position_member\">\n \t\t<h1 class=\"search_cat_intro\" >DOPs<\/h1>\n \t\t\t<div class=\"imagegrid\">\n\n \t\t\t\t\t<div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=234\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/xStartseite_ChristianeBuchmann_Dedowtschina_2012-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/xStartseite_ChristianeBuchmann_Dedowtschina_2012.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/xStartseite_ChristianeBuchmann_Dedowtschina_2012-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christiane Buchmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=579\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1-_-Reisfeld-statt-Tokio_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1-_-Reisfeld-statt-Tokio_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1-_-Reisfeld-statt-Tokio_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Justyna Feicht<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=406\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_GabrielaBetschart_ABitOfMeat_2007-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_GabrielaBetschart_ABitOfMeat_2007.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_GabrielaBetschart_ABitOfMeat_2007-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Gabriela Betschart<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=256\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startstill_dunkelblau_2017_cb-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startstill_dunkelblau_2017_cb.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startstill_dunkelblau_2017_cb-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Conny Bei\u00dfler<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=762\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Schuele_Startseite_Korrektur350-1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Schuele_Startseite_Korrektur350-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Schuele_Startseite_Korrektur350-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Susanne Sch\u00fcle<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2628\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/05\/1_Ruckenwind_von_Vorne_Web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/05\/1_Ruckenwind_von_Vorne_Web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/05\/1_Ruckenwind_von_Vorne_Web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Fee Scherer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=305\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/01-Startseite_Ines-Thomsen_-Summer-with-Bernard_2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/01-Startseite_Ines-Thomsen_-Summer-with-Bernard_2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/01-Startseite_Ines-Thomsen_-Summer-with-Bernard_2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Ines Thomsen<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1484\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/01_Petra-Korner_His-Dark-Materials_2022_Web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Petra Korner<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=511\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_StephanieHardt_Titel_Jahr--350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_StephanieHardt_Titel_Jahr-.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_StephanieHardt_Titel_Jahr--150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Stephanie Hardt<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=312\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/XIsabelle-Arnold-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/XIsabelle-Arnold.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/XIsabelle-Arnold-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Isabelle Arnold<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1314\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Blazeg_Monster_2016_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Blazeg_Monster_2016_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Blazeg_Monster_2016_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Deniz\u00a0Lindenberg<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2522\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/judithStehlik_ServusKarl_webStart.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/judithStehlik_ServusKarl_webStart.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/judithStehlik_ServusKarl_webStart-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Judith Stehlik<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=298\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/MaikaeferFlieg-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/MaikaeferFlieg.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/MaikaeferFlieg-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Eva Testor<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1273\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_koeniginVonNiendorf_LydiaRichter-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_koeniginVonNiendorf_LydiaRichter.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_koeniginVonNiendorf_LydiaRichter-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lydia Richter<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1493\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/1_MarieTherese-Zumtobel-Wise_Women_2025_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/1_MarieTherese-Zumtobel-Wise_Women_2025_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/1_MarieTherese-Zumtobel-Wise_Women_2025_web_Start-150x77.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Marie-Th\u00e9r\u00e8se\u00a0Zumtobel<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=638\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Kathrin-Krottenthaler-WANJA-2015-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Kathrin-Krottenthaler-WANJA-2015.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Kathrin-Krottenthaler-WANJA-2015-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Kathrin Krottenthaler<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=362\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/CarmenTreichl_WelcomeHomeBaby_2024_01_web_start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/CarmenTreichl_WelcomeHomeBaby_2024_01_web_start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/CarmenTreichl_WelcomeHomeBaby_2024_01_web_start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Carmen Treichl<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=291\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Eva_Maschke_Tatort_Der_Stelzenmann_Foto1_Startseite_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Eva_Maschke_Tatort_Der_Stelzenmann_Foto1_Startseite_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Eva_Maschke_Tatort_Der_Stelzenmann_Foto1_Startseite_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Eva Maschke<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=463\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/LuanaKnipfer_-Katavi_2024_1920px_STARTSEITE_klein_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/LuanaKnipfer_-Katavi_2024_1920px_STARTSEITE_klein_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/LuanaKnipfer_-Katavi_2024_1920px_STARTSEITE_klein_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Luana Knipfer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1364\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Britta_Mangold_Startseite_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Britta_Mangold_Startseite_web.jpg 747w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Britta_Mangold_Startseite_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Britta Mangold<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=318\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite_JanaMarsik_Das-Ende-der-Geduld2014-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jana Marsik<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=477\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2023_FritzKann_KatjaRivasPinzon_01_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2023_FritzKann_KatjaRivasPinzon_01_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/2023_FritzKann_KatjaRivasPinzon_01_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Katja Rivas Pinzon<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2120\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/S_1_FeeStrothmann_JulkaUndJulie_2020.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/S_1_FeeStrothmann_JulkaUndJulie_2020.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/11\/S_1_FeeStrothmann_JulkaUndJulie_2020-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Fee Strothmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=456\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_JanaPape_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_JanaPape_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_JanaPape_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jana Pape<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=496\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Isabelle_Casez_Min_Dit_2009-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Isabelle_Casez_Min_Dit_2009.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Isabelle_Casez_Min_Dit_2009-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Isabelle Casez<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=241\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/quo_vadis_1_Christine-Maier_start-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/quo_vadis_1_Christine-Maier_start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/quo_vadis_1_Christine-Maier_start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christine A. Maier<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1467\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SanneKurz_Smolicek_1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SanneKurz_Smolicek_1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SanneKurz_Smolicek_1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sanne Kurz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2760\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/3_VitaSpiess_Sing-it-loud_2017-2-e1743156340744-1-e1743164859950.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/3_VitaSpiess_Sing-it-loud_2017-2-e1743156340744-1-e1743164859950.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/3_VitaSpiess_Sing-it-loud_2017-2-e1743156340744-1-e1743164859950-150x81.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Vita Spie\u00df<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=542\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Xl_Alicja_Pahl_Die_Lichtung_2008-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Xl_Alicja_Pahl_Die_Lichtung_2008.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Xl_Alicja_Pahl_Die_Lichtung_2008-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Alicja Pahl<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=447\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Medianikova_DONT_-2020_web-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Medianikova_DONT_-2020_web-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Medianikova_DONT_-2020_web-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Aleksandra Medianikova<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2089\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_And-Then-We-Danced_2019_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_And-Then-We-Danced_2019_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_And-Then-We-Danced_2019_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisabi\u00a0Fridell<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1594\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_Claire-Jahn_Oh-Hell_2021_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_Claire-Jahn_Oh-Hell_2021_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_Claire-Jahn_Oh-Hell_2021_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Claire Jahn<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2421\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/07\/S-Bettina-Borgfeld_Arctic-Drift_2021.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/07\/S-Bettina-Borgfeld_Arctic-Drift_2021.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/07\/S-Bettina-Borgfeld_Arctic-Drift_2021-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Bettina Borgfeld<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1322\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_K.Weingarten_Sad-Song-sof-Happiness_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_K.Weingarten_Sad-Song-sof-Happiness_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_K.Weingarten_Sad-Song-sof-Happiness_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Kirsten Weingarten<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2725\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1_AngemessenAngry_2024_DoroGotz_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Doro G\u00f6tz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=424\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Anna-Motzel_Haus-der-Stille_2022_S.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Anna-Motzel_Haus-der-Stille_2022_S.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Anna-Motzel_Haus-der-Stille_2022_S-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anna Motzel<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=218\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/start_Ich-werde-nicht-schweigen_BirgitG_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/start_Ich-werde-nicht-schweigen_BirgitG_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/start_Ich-werde-nicht-schweigen_BirgitG_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Birgit Gudjonsdottir<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1634\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/11\/S_BeateScherer_Worldstar_2006-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/11\/S_BeateScherer_Worldstar_2006.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/11\/S_BeateScherer_Worldstar_2006-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Beate Scherer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=602\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_St_Pauli_6Uhr07_04_web-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_St_Pauli_6Uhr07_04_web-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_St_Pauli_6Uhr07_04_web-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anne Misselwitz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=586\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_SminaBluth_VibiliaArmata2017-Kopie-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_SminaBluth_VibiliaArmata2017-Kopie.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_SminaBluth_VibiliaArmata2017-Kopie-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Smina Bluth<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1510\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Agnesh-Pakozdi_Blackbird-Blackbird-Blackberry_2023_NR1_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Agnesh Pakozdi<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=484\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Yoliswa-v.-Dallwitz-Shell-2014-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Yoliswa-v.-Dallwitz-Shell-2014.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Yoliswa-v.-Dallwitz-Shell-2014-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Yoliswa von Dallwitz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1518\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Reinhard_Backemo_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Reinhard_Backemo_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Reinhard_Backemo_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Stefanie Reinhard<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2073\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Dunja Engelbrecht<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=262\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Daniela-Knapp_Poll_2009-1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Daniela-Knapp_Poll_2009-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Daniela-Knapp_Poll_2009-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Daniela Knapp<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1294\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Start_1_Mariel-Baqueiro_Hagazussa_2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Start_1_Mariel-Baqueiro_Hagazussa_2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/Start_1_Mariel-Baqueiro_Hagazussa_2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Mariel Baqueiro<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=369\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/01_Startseite_Panossian_Fossil_2023_web-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/01_Startseite_Panossian_Fossil_2023_web-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/01_Startseite_Panossian_Fossil_2023_web-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sabine Panossian<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=273\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseitenbild-Blaumacher2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseitenbild-Blaumacher2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseitenbild-Blaumacher2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Eeva Fleig<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=549\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Jutta_Traenkle_Die-Erfahrung_2013-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Jutta_Traenkle_Die-Erfahrung_2013.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Jutta_Traenkle_Die-Erfahrung_2013-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jutta Tr\u00e4nkle<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=491\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Sophie-Maintigneux_Mario_2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Sophie-Maintigneux_Mario_2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Sophie-Maintigneux_Mario_2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sophie Maintigneux<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1372\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Natalia-Mikhaylova_Komm-hinters-Licht_2012-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Natalia-Mikhaylova_Komm-hinters-Licht_2012.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Natalia-Mikhaylova_Komm-hinters-Licht_2012-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Natalia Mikhaylova<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2074\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/Web_S_Natalie_Pusch_Innocente_2020-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Natalie Pusch<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1501\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Krisztina_Kerekes_Meine_3_Zinnen_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Krisztina_Kerekes_Meine_3_Zinnen_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Krisztina_Kerekes_Meine_3_Zinnen_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Krisztina Kerekes<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=283\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/S_Blindgaenger2023-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/S_Blindgaenger2023-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/S_Blindgaenger2023-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Katharina B\u00fchler<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=739\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Daschner_Sommerhaeuser_web_Start-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Daschner_Sommerhaeuser_web_Start-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Daschner_Sommerhaeuser_web_Start-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Daschner<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2974\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-Eight-Images-From-The-Life-of-Nastya-Sokolova-2018-Anna-Rozhetskaya-Kopie-2.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-Eight-Images-From-The-Life-of-Nastya-Sokolova-2018-Anna-Rozhetskaya-Kopie-2.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-Eight-Images-From-The-Life-of-Nastya-Sokolova-2018-Anna-Rozhetskaya-Kopie-2-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anna Rozhetskaya<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=504\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Druck_LottaKilian-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Druck_LottaKilian-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Druck_LottaKilian-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lotta Kilian<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=565\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Stil-Uneasy-Rider-1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Stil-Uneasy-Rider-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Stil-Uneasy-Rider-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Patricia Lewandowska<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1388\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Tanja-Haering_IDmagazin-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Tanja-Haering_IDmagazin.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Tanja-Haering_IDmagazin-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Tanja H\u00e4ring<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=525\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Ulle-Hadding-Parkour-2009-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Ulle-Hadding-Parkour-2009.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite-Ulle-Hadding-Parkour-2009-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Ulle Hadding<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2272\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_1_CarolinaSteinbrecher_GlueckBliss_2021.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_1_CarolinaSteinbrecher_GlueckBliss_2021.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_1_CarolinaSteinbrecher_GlueckBliss_2021-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Carolina Steinbrecher<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=557\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Holiday_4_MiriamK_a.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Holiday_4_MiriamK_a.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Holiday_4_MiriamK_a-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Miriam Kolesnyk<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=535\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_katharinadiessner_nachtlicht_2018-1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_katharinadiessner_nachtlicht_2018-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_katharinadiessner_nachtlicht_2018-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Katharina Diessner<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1415\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/TatortKoeln_S_Julia_J.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/TatortKoeln_S_Julia_J.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/TatortKoeln_S_Julia_J-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Jalnasow<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=707\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Jutta-Pohlmann__Baader__2001-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Jutta-Pohlmann__Baader__2001.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Jutta-Pohlmann__Baader__2001-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jutta Pohlmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=610\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Judith-Kaufmann_Traumland__2013-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Judith-Kaufmann_Traumland__2013.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Judith-Kaufmann_Traumland__2013-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Judith Kaufmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1968\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/02\/S_Jana-Lammerer_IKEA_2022.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/02\/S_Jana-Lammerer_IKEA_2022.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/02\/S_Jana-Lammerer_IKEA_2022-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jana L\u00e4mmerer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1233\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_MURESAN_Voices_from_the_Fire_2022_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_MURESAN_Voices_from_the_Fire_2022_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_MURESAN_Voices_from_the_Fire_2022_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Carla Muresan<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1240\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Christina-Karliczek-Skoglund_Wildes-Neuseeland_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Christina-Karliczek-Skoglund_Wildes-Neuseeland_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Christina-Karliczek-Skoglund_Wildes-Neuseeland_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christina Karliczek Skoglund<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=749\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Bild-2-Birgit-Bebe-Dierken-Midas-Man-2024_web_Start-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Bild-2-Birgit-Bebe-Dierken-Midas-Man-2024_web_Start-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Bild-2-Birgit-Bebe-Dierken-Midas-Man-2024_web_Start-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Birgit Bebe Dierken<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1425\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Still1_UteFreund_Sankt_2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Still1_UteFreund_Sankt_2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Still1_UteFreund_Sankt_2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Ute Freund<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2143\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/S_1_LenaKatharinaKrause_IAM_2020-2.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/S_1_LenaKatharinaKrause_IAM_2020-2.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/03\/S_1_LenaKatharinaKrause_IAM_2020-2-150x81.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lena Katharina Krause<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=593\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Emma-Rosa-Simon_Trockenschwimmen_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Emma-Rosa-Simon_Trockenschwimmen_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Emma-Rosa-Simon_Trockenschwimmen_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Emma Rosa Simon<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=725\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Julia-Weingarten_Mirror_2013_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Julia-Weingarten_Mirror_2013_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_Julia-Weingarten_Mirror_2013_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Weingarten<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=518\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite01_Siri-Klug_Teenage-Response_2008-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite01_Siri-Klug_Teenage-Response_2008.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite01_Siri-Klug_Teenage-Response_2008-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Siri Klug<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2307\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Nr.-1-Ortrun-Bauer-Menschenkinder_Eli\u0304na-Garanc\u030ca-2018.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Nr.-1-Ortrun-Bauer-Menschenkinder_Eli\u0304na-Garanc\u030ca-2018.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Nr.-1-Ortrun-Bauer-Menschenkinder_Eli\u0304na-Garanc\u030ca-2018-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Ortrun Bauer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=786\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_Profil_BellaHalben-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_Profil_BellaHalben.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_Profil_BellaHalben-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Bella Halben<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=756\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Aether_Vadi-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Aether_Vadi.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_Aether_Vadi-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Merle Sarah Jothe<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1225\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_astrid_heubrandtner_home_Is_here_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_astrid_heubrandtner_home_Is_here_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_astrid_heubrandtner_home_Is_here_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Astrid Heubrandtner<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2205\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/07\/S_1_Theresa-Maue_Grrrls_2020.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/07\/S_1_Theresa-Maue_Grrrls_2020.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/07\/S_1_Theresa-Maue_Grrrls_2020-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Theresa Mau\u00e9<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1543\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Christiane_Schmidt_Animale-AT_2019-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Christiane_Schmidt_Animale-AT_2019.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Christiane_Schmidt_Animale-AT_2019-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christiane Schmidt<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=769\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Salonen-Arctic-drift-2021-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Salonen-Arctic-drift-2021-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Salonen-Arctic-drift-2021-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Susanna Salonen<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1286\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Jennifer-Guenther_ConsciousCulture-TimeFlies_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Jennifer-Guenther_ConsciousCulture-TimeFlies_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/S_Jennifer-Guenther_ConsciousCulture-TimeFlies_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jennifer\u00a0G\u00fcnther<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=431\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web_Start-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web_Start-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_TatortDasHerzder-Schlange_2021_web_Start-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anne Bolick<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1330\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Leena-Koppe_Was-hat-uns-bloss-so-ruiniert_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Leena-Koppe_Was-hat-uns-bloss-so-ruiniert_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Leena-Koppe_Was-hat-uns-bloss-so-ruiniert_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Leena Koppe<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=383\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_JuliaSchlingmann_theblueway_2020_start-1-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_JuliaSchlingmann_theblueway_2020_start-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/1_JuliaSchlingmann_theblueway_2020_start-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Schlingmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1406\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_SonjaRom_DieBlumenvonGestern_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_SonjaRom_DieBlumenvonGestern_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_SonjaRom_DieBlumenvonGestern_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sonja Rom<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=249\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_munz_im_a_creative_animal_2014--350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_munz_im_a_creative_animal_2014-.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_munz_im_a_creative_animal_2014--150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christine Munz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=572\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JudithBenedikt_Waswirnichtsehen_2014-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JudithBenedikt_Waswirnichtsehen_2014.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JudithBenedikt_Waswirnichtsehen_2014-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Judith Benedikt<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=267\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite-film-still_Der-fast-perfekte-Mann-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite-film-still_Der-fast-perfekte-Mann.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/startseite-film-still_Der-fast-perfekte-Mann-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Dixie Schmiedle<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=732\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Start_leahSTriker_krieg2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Start_leahSTriker_krieg2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Start_leahSTriker_krieg2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Leah Striker<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2300\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Jule_Katinka_Cramer_EVA_SOLA_2018.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Jule_Katinka_Cramer_EVA_SOLA_2018.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/11\/S_Jule_Katinka_Cramer_EVA_SOLA_2018-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Jule Katinka Cramer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1356\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1-DREIZEHUHRMITTAGS-Plura-2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1-DREIZEHUHRMITTAGS-Plura-2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1-DREIZEHUHRMITTAGS-Plura-2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Monika Plura<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2910\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_klein-e1772373792293.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_klein-e1772373792293.jpg 311w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_klein-e1772373792293-150x84.jpg 150w\" sizes=\"(max-width: 311px) 100vw, 311px\" \/><div class=\"imagetext\">Anna Hawliczek<\/div><\/div><\/a><\/div> \t\t\t<\/div>\n \t\t<\/div>\n \t\t \t \t<div id=\"rising-rubric\" class=\"position_rising\">\n \t\t<h1 class=\"search_cat_intro\" >RISING DOPs<\/h1>\n \t\t\t<div class=\"imagegrid\">\n \t\t\t\t\t<div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2644\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/09\/Andac_Ellbogen_-2024_1_Start_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/09\/Andac_Ellbogen_-2024_1_Start_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/09\/Andac_Ellbogen_-2024_1_Start_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anda\u00e7 Karabeyo\u011flu<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2442\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/09\/S_Janne-Ebel-_-UNERHORT_-2020_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/09\/S_Janne-Ebel-_-UNERHORT_-2020_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/09\/S_Janne-Ebel-_-UNERHORT_-2020_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Janne Ebel<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1346\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Luise_Schroeder_Valentina_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Luise_Schroeder_Valentina_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Luise_Schroeder_Valentina_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Luise Schr\u00f6der<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2768\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/Giulia_Schelhas_Il-compleanno-di-Enrico_2023-2-1-e1743608729611.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/Giulia_Schelhas_Il-compleanno-di-Enrico_2023-2-1-e1743608729611.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/Giulia_Schelhas_Il-compleanno-di-Enrico_2023-2-1-e1743608729611-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Giulia Schelhas<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2752\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/Antonia-Schafer-They-Made-You-Into-A-Weapon-And-Told-You-To-FInd-Peace-2025-Nr.1_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/Antonia-Schafer-They-Made-You-Into-A-Weapon-And-Told-You-To-FInd-Peace-2025-Nr.1_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/Antonia-Schafer-They-Made-You-Into-A-Weapon-And-Told-You-To-FInd-Peace-2025-Nr.1_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Antonia Sch\u00e4fer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2571\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/01_LisaJilg_VENA_2023_FeaturedImage_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/01_LisaJilg_VENA_2023_FeaturedImage_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/01_LisaJilg_VENA_2023_FeaturedImage_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa Jilg<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2382\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/1-BUEHL_EL-SUENO_2024_web_Start2.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/1-BUEHL_EL-SUENO_2024_web_Start2.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/02\/1-BUEHL_EL-SUENO_2024_web_Start2-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa B\u00fchl<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2153\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/S_1_Meret_Madoerin_Trading_Happiness_2020.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/S_1_Meret_Madoerin_Trading_Happiness_2020.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/04\/S_1_Meret_Madoerin_Trading_Happiness_2020-150x81.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Meret Mad\u00f6rin<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2920\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_ClaraTilleBerger_Spark_2023_16zu9-768x432.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_ClaraTilleBerger_Spark_2023_16zu9-768x432.jpg 768w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_ClaraTilleBerger_Spark_2023_16zu9-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_ClaraTilleBerger_Spark_2023_16zu9-e1762542310330.jpg 350w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Clara Tille Berger<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1217\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/Startseite_Titel_AntjeHeidemann_Seebestattung_2011_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/Startseite_Titel_AntjeHeidemann_Seebestattung_2011_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/01\/Startseite_Titel_AntjeHeidemann_Seebestattung_2011_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Antje Heidemann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1801\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S1_teresa_kuhn_isabelimwinter2014-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S1_teresa_kuhn_isabelimwinter2014.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S1_teresa_kuhn_isabelimwinter2014-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Teresa Kuhn<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1459\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SonjaAufderklamm_Sister_2009-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SonjaAufderklamm_Sister_2009.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_SonjaAufderklamm_Sister_2009-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sonja Aufderklamm<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2785\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Elisabeth_Neugebauer_Beinahe_2018-1-e1745942370653.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Elisabeth_Neugebauer_Beinahe_2018-1-e1745942370653.jpg 259w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Elisabeth_Neugebauer_Beinahe_2018-1-e1745942370653-150x84.jpg 150w\" sizes=\"(max-width: 259px) 100vw, 259px\" \/><div class=\"imagetext\">Elisabeth Neugebauer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=398\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JuliaGei\u00df_Thoughts_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JuliaGei\u00df_Thoughts_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Startseite_JuliaGei\u00df_Thoughts_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Gei\u00df<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2865\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/01_Maayane-Bouhnik_Erogenesis_2025-1-e1757405209493.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/01_Maayane-Bouhnik_Erogenesis_2025-1-e1757405209493.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/01_Maayane-Bouhnik_Erogenesis_2025-1-e1757405209493-150x81.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Maayane Bouhnik<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1476\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_01-Caroline-Bobek-Siebzehn-2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_01-Caroline-Bobek-Siebzehn-2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_01-Caroline-Bobek-Siebzehn-2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Caroline Bobek<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=390\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_ZAHIR_I_2019_web-2-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_ZAHIR_I_2019_web-2.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_ZAHIR_I_2019_web-2-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Marie Zahir<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2691\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/12\/SinaDiehl_Start_Web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/12\/SinaDiehl_Start_Web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/12\/SinaDiehl_Start_Web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sina Diehl<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2253\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_UlrikevonAu_VonderFlu\u0308chtigkeiteinesGeschmacks_2022_1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_UlrikevonAu_VonderFlu\u0308chtigkeiteinesGeschmacks_2022_1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_UlrikevonAu_VonderFlu\u0308chtigkeiteinesGeschmacks_2022_1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Ulrike von Au<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1659\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2019\/01\/S_01EinmalBitteAlles_alinelaszlo_2017-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2019\/01\/S_01EinmalBitteAlles_alinelaszlo_2017.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2019\/01\/S_01EinmalBitteAlles_alinelaszlo_2017-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Aline L\u00e1szl\u00f3<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2195\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/07\/I-Am-the-Greatest_VorsichtSchnecki-Still-2_53601038-1-e1760556251683.jpeg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" \/><div class=\"imagetext\">Rebecca Meining<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2798\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Hart_Simone_Im_Traum_sind_alle_Quallen_feucht_2023_1-e1745077141791.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Hart_Simone_Im_Traum_sind_alle_Quallen_feucht_2023_1-e1745077141791.jpg 265w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Hart_Simone_Im_Traum_sind_alle_Quallen_feucht_2023_1-e1745077141791-150x84.jpg 150w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/><div class=\"imagetext\">Simone Hart<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2958\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-_-Mahdiyeh-Agahi_-Snooze-_-2024-_-Kopie-e1764592747344.jpeg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-_-Mahdiyeh-Agahi_-Snooze-_-2024-_-Kopie-e1764592747344.jpeg 325w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/1-_-Mahdiyeh-Agahi_-Snooze-_-2024-_-Kopie-e1764592747344-150x84.jpeg 150w\" sizes=\"(max-width: 325px) 100vw, 325px\" \/><div class=\"imagetext\">Mahdiyeh Agahi<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1241\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Constanze-Schmitt_Civil-Dusk_2022_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Constanze-Schmitt_Civil-Dusk_2022_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_Constanze-Schmitt_Civil-Dusk_2022_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Constanze Schmitt<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2545\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1-Universum-History-Leopoldina-von-Habsburg-2022_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1-Universum-History-Leopoldina-von-Habsburg-2022_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/02\/1-Universum-History-Leopoldina-von-Habsburg-2022_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Thea Adlung<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2888\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1-Kopie-e1760554823220.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1-Kopie-e1760554823220.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/10\/Cinematographinnen_Gumpert_Still_1-Kopie-e1760554823220-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Fine Gumpert<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2350\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Greta_Isabella_Conte_Muschicraft_2024.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Greta_Isabella_Conte_Muschicraft_2024.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Greta_Isabella_Conte_Muschicraft_2024-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Greta Isabella Conte<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1451\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_PaolaCalvo_ViolentlyHappy_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_PaolaCalvo_ViolentlyHappy_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/02\/S_1_PaolaCalvo_ViolentlyHappy_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Paola Calvo<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=332\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Julia_-Lemke_Schultersieg_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Julia_-Lemke_Schultersieg_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_Julia_-Lemke_Schultersieg_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Lemke<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=438\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_Carina.Neubohn_Bintou_2013-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_Carina.Neubohn_Bintou_2013.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/xStartseite_Carina.Neubohn_Bintou_2013-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Carina Neubohn<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2282\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_LisaVoelter_SouciduLendemain_2020_Still1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_LisaVoelter_SouciduLendemain_2020_Still1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_LisaVoelter_SouciduLendemain_2020_Still1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa Dram\u00e9<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2493\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/10\/S_RitaHajjar_Erbarme-Dich-Unser_-2020_web.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/10\/S_RitaHajjar_Erbarme-Dich-Unser_-2020_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/10\/S_RitaHajjar_Erbarme-Dich-Unser_-2020_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Rita Hajjar<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2931\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1-LisaEidenhammer-Bauchgefuehl-2024-Kopie.jpeg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1-LisaEidenhammer-Bauchgefuehl-2024-Kopie.jpeg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1-LisaEidenhammer-Bauchgefuehl-2024-Kopie-150x84.jpeg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa Eidenhammer<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2776\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/3.-Roxana-Reiss-_-Fence-_-2020-1-e1745942292701.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/3.-Roxana-Reiss-_-Fence-_-2020-1-e1745942292701.jpg 259w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/3.-Roxana-Reiss-_-Fence-_-2020-1-e1745942292701-150x84.jpg 150w\" sizes=\"(max-width: 259px) 100vw, 259px\" \/><div class=\"imagetext\">Roxana Reiss<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2580\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/1_CarolineSpreitzenbart_LifeisnotacompetitionbutImwinning_2023_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/1_CarolineSpreitzenbart_LifeisnotacompetitionbutImwinning_2023_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/04\/1_CarolineSpreitzenbart_LifeisnotacompetitionbutImwinning_2023_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Caroline Spreitzenbart<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2127\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/06\/S_Dunja_Engelbrecht_Holzkohle_ade-Polens_Koehler_Vor_Dem_Aus_2019_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Samira Oberberg<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=325\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_joanna_piechotta_Narration_2016-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_joanna_piechotta_Narration_2016.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/10\/Startseite_joanna_piechotta_Narration_2016-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Joanna Piechotta<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2850\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/1_SelmavonPolheimGravesen_TheGoodSister_2024-Kopie-e1754510354493.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/1_SelmavonPolheimGravesen_TheGoodSister_2024-Kopie-e1754510354493.jpg 300w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/1_SelmavonPolheimGravesen_TheGoodSister_2024-Kopie-e1754510354493-150x84.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><div class=\"imagetext\">Selma von Polheim Gravesen<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2805\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Still_Stangenberg_LaliraStudios_2024-768x432.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Still_Stangenberg_LaliraStudios_2024-768x432.jpg 768w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Still_Stangenberg_LaliraStudios_2024-150x84.jpg 150w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Still_Stangenberg_LaliraStudios_2024-1536x864.jpg 1536w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/04\/1_Still_Stangenberg_LaliraStudios_2024-e1745940810488.jpg 350w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa Stangenberg<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2262\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_Zamarin-Wahdat-Ana-takes-a-stand-3.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_Zamarin-Wahdat-Ana-takes-a-stand-3.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2022\/10\/S_Zamarin-Wahdat-Ana-takes-a-stand-3-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Zamarin Wahdat<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2076\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Excalibur-City-16x9-1.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Excalibur-City-16x9-1.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Excalibur-City-16x9-1-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Nina Reichmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2339\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_-Claudia-Schroeder-Emeka-Commercial-2021.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_-Claudia-Schroeder-Emeka-Commercial-2021.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/04\/S_-Claudia-Schroeder-Emeka-Commercial-2021-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Claudia Schr\u00f6der<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2821\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1_zdenasykorova_pussycat_2025-Kopie.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1_zdenasykorova_pussycat_2025-Kopie.jpg 320w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1_zdenasykorova_pussycat_2025-Kopie-150x84.jpg 150w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><div class=\"imagetext\">Zdena S\u00fdkorov\u00e1<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2831\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1-Antonia-Pepita-Giesler_Pissen-Aufs-Patriarchat_2023-1-e1750496537282.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1-Antonia-Pepita-Giesler_Pissen-Aufs-Patriarchat_2023-1-e1750496537282.jpg 286w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/06\/1-Antonia-Pepita-Giesler_Pissen-Aufs-Patriarchat_2023-1-e1750496537282-150x84.jpg 150w\" sizes=\"(max-width: 286px) 100vw, 286px\" \/><div class=\"imagetext\">Antonia Pepita Giesler<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2872\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/staatsballett_kaviargauche_hannahschwaiger_11-Kopie-e1757411881646.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/staatsballett_kaviargauche_hannahschwaiger_11-Kopie-e1757411881646.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/09\/staatsballett_kaviargauche_hannahschwaiger_11-Kopie-e1757411881646-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Hannah Schwaiger<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2361\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Francy-Fabritz_TTV_2022.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Francy-Fabritz_TTV_2022.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_Francy-Fabritz_TTV_2022-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Francy Fabritz<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1603\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_ChristinaHeeck_WWF-Unterwasser_2011_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_ChristinaHeeck_WWF-Unterwasser_2011_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2018\/08\/S_ChristinaHeeck_WWF-Unterwasser_2011_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christina Heeck<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2665\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/10\/1_Teresa-Station-B-2024_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/10\/1_Teresa-Station-B-2024_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2024\/10\/1_Teresa-Station-B-2024_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anna Kolkmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2373\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/Laudam_Stills_01_web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/Laudam_Stills_01_web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/Laudam_Stills_01_web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sarina Laudam<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2992\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/01_SophiaFenn_WhereTheWavesTookHer_2025-Kopie-2.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/01_SophiaFenn_WhereTheWavesTookHer_2025-Kopie-2.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/12\/01_SophiaFenn_WhereTheWavesTookHer_2025-Kopie-2-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Sophia Fenn<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2030\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/02\/3_S-Ramon_2013_Julia-Kampmann-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/02\/3_S-Ramon_2013_Julia-Kampmann.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2021\/02\/3_S-Ramon_2013_Julia-Kampmann-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Julia Kampmann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=414\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Christine-Luedge-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Christine-Luedge.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/Christine-Luedge-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Christine Niemann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2939\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_Adriana-Berroteran_I-Was-There_2024-Kopie-e1764070131372.png\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_Adriana-Berroteran_I-Was-There_2024-Kopie-e1764070131372.png 325w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/11\/1_Adriana-Berroteran_I-Was-There_2024-Kopie-e1764070131372-150x84.png 150w\" sizes=\"(max-width: 325px) 100vw, 325px\" \/><div class=\"imagetext\">Adriana Berroteran<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2348\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_BineJankowski_Jagerin_2019.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_BineJankowski_Jagerin_2019.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2023\/03\/S_BineJankowski_Jagerin_2019-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Bine Jankowski<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=1799\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S_1_ALindemann_DiePantherin_2015_web-350x197.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S_1_ALindemann_DiePantherin_2015_web.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2020\/01\/S_1_ALindemann_DiePantherin_2015_web-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Anne Lindemann<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2843\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1-Kopie.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1-Kopie.jpg 300w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/07\/Ayse-Alacakaptan_Two-Droplets_2025_1-Kopie-150x85.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><div class=\"imagetext\">Ay\u015fe Alacakaptan<\/div><\/div><\/a><\/div><div class=\"itemwrapper\"><a href=\"https:\/\/cinematographinnen.net\/en\/?p=2745\" target=\"_blank\"><div class=\"item\"><img decoding=\"async\" src=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/1-Lisa-Bulow-Tiflis-Transit-Doze-2021-_Web_Start.jpg\" class=\"attachment-350x197 size-350x197 wp-post-image\" alt=\"\" srcset=\"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/1-Lisa-Bulow-Tiflis-Transit-Doze-2021-_Web_Start.jpg 350w, https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2025\/03\/1-Lisa-Bulow-Tiflis-Transit-Doze-2021-_Web_Start-150x84.jpg 150w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><div class=\"imagetext\">Lisa B\u00fclow<\/div><\/div><\/a><\/div> \t\t\t\t<\/div>\n \t\t\t<\/div>\n \t\t<\/div>\n \t\t<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1831","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Search - CINEMATOGRAPHINNEN Women Cinematographers Network<\/title>\n<meta name=\"description\" content=\"Search for Dops\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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