{"version":"1.0","provider_name":"CINEMATOGRAPHINNEN Women Cinematographers Network","provider_url":"https:\/\/cinematographinnen.net\/en","author_name":"lealea","author_url":"https:\/\/cinematographinnen.net\/en\/author\/lealea\/","title":"DoP Lotta Kilian - CINEMATOGRAPHINNEN Women Cinematographers Network","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gOa0AZS9AZ\"><a href=\"https:\/\/cinematographinnen.net\/en\/lotta-kilian\/\">Lotta Kilian<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cinematographinnen.net\/en\/lotta-kilian\/embed\/#?secret=gOa0AZS9AZ\" width=\"600\" height=\"338\" title=\"&#8220;Lotta Kilian&#8221; &#8212; CINEMATOGRAPHINNEN Women Cinematographers Network\" data-secret=\"gOa0AZS9AZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cinematographinnen.net\/en\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/cinematographinnen.net\/en\/wp-content\/uploads\/sites\/1\/2017\/11\/S_Druck_LottaKilian-1.jpg","thumbnail_width":350,"thumbnail_height":197,"description":"DoP Lotta Kilian works for narrative and documentary films. TOP GIRL premiered at Berlin International Filmfestival Forum 2014, as well as the film LANDST\u00dcCK by Volker Koepp in 2016. For the film WIR STERBEN she received the prestigious Deutscher Kamerapreis 2012"}